{"title":"Eco.之后的中世纪美学。历史路径","authors":"Amalia Salvestrini","doi":"10.13130/2240-9599/12070","DOIUrl":null,"url":null,"abstract":"The essay outlines the debate around the question on the existence of Medieval Aesthetics starting from the publication of Arte e bellezza nell’estetica medievale by Umberto Eco (1987). Since the last decade of the 20th century, the question on Medieval Aesthetics receives a particular attention from a methodological point of view also because it is close to different disciplines as History, History of Art, Aesthetics and History of Philosophy. A renewed interest in the image theme, in History and History of Art, permits to study the pre-modern period without using anachronistic categories like that of “Art”. In the field of Aesthetics scholars rethink how to approach the question about its history. In this context, History of Philosophy reviews its own categories asking how it is possible to talk about thematic objects that traditionally belong to Aesthetics.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"14 1","pages":"1-22"},"PeriodicalIF":0.1000,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sull’estetica medievale dopo Eco. Un percorso storiografico\",\"authors\":\"Amalia Salvestrini\",\"doi\":\"10.13130/2240-9599/12070\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essay outlines the debate around the question on the existence of Medieval Aesthetics starting from the publication of Arte e bellezza nell’estetica medievale by Umberto Eco (1987). Since the last decade of the 20th century, the question on Medieval Aesthetics receives a particular attention from a methodological point of view also because it is close to different disciplines as History, History of Art, Aesthetics and History of Philosophy. A renewed interest in the image theme, in History and History of Art, permits to study the pre-modern period without using anachronistic categories like that of “Art”. In the field of Aesthetics scholars rethink how to approach the question about its history. In this context, History of Philosophy reviews its own categories asking how it is possible to talk about thematic objects that traditionally belong to Aesthetics.\",\"PeriodicalId\":53793,\"journal\":{\"name\":\"Lebenswelt-Aesthetics and Philosophy of Experience\",\"volume\":\"14 1\",\"pages\":\"1-22\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-08-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Lebenswelt-Aesthetics and Philosophy of Experience\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13130/2240-9599/12070\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lebenswelt-Aesthetics and Philosophy of Experience","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13130/2240-9599/12070","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
本文从埃科(Umberto Eco)1987年出版的《中世纪美学》(Arte e bellezza nell’estetica medievale)一书开始,概述了围绕中世纪美学存在问题的争论。20世纪最后10年以来,中世纪美学问题从方法论的角度受到特别关注,这也是因为它与历史、艺术史、美学和哲学史等不同学科关系密切。在《历史与艺术史》中,人们对图像主题重新产生了兴趣,这使得我们可以在不使用“艺术”等不合时宜的类别的情况下研究前现代时期。在美学领域,学者们重新思考如何处理其历史问题。在这种背景下,哲学史回顾了它自己的类别,询问如何可能谈论传统上属于美学的主题对象。
Sull’estetica medievale dopo Eco. Un percorso storiografico
The essay outlines the debate around the question on the existence of Medieval Aesthetics starting from the publication of Arte e bellezza nell’estetica medievale by Umberto Eco (1987). Since the last decade of the 20th century, the question on Medieval Aesthetics receives a particular attention from a methodological point of view also because it is close to different disciplines as History, History of Art, Aesthetics and History of Philosophy. A renewed interest in the image theme, in History and History of Art, permits to study the pre-modern period without using anachronistic categories like that of “Art”. In the field of Aesthetics scholars rethink how to approach the question about its history. In this context, History of Philosophy reviews its own categories asking how it is possible to talk about thematic objects that traditionally belong to Aesthetics.