进入Chthulucene?艾米·考夫曼和米根·斯普纳的星际三部曲中的非人之亲

Pub Date : 2020-12-01 DOI:10.1353/jeu.2020.0021
Alena Cicholewski
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引用次数: 0

摘要

摘要:艾米·考夫曼和梅根·斯普纳的青春小说《星界三部曲》将读者带到了一个遥远的未来,在那里人类已经殖民了几个外星星球。工程师兼企业家罗德里克·拉鲁发明了超空间旅行,他发现受这种旅行模式影响的维度上居住着一种有知觉的集体意识,于是囚禁和奴役了这种意识的一部分,利用它们来最大化他的利益。在整个三部曲中,六个十几岁的主人公遇到了被囚禁的有知觉的非人类(被称为“低语者”),与他们建立了合作关系,并最终释放了他们。在这篇文章中,我认为,虽然《星界三部曲》通过描绘青少年与非人类结成联盟并反抗企业剥削他们的行为来倡导多物种正义,但小说最终没有放弃人类中心主义的观点。
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Entering the Chthulucene? Making Kin with the Non-human in Amie Kaufman and Meagan Spooner's Starbound Trilogy
Abstract:Amie Kaufman and Meagan Spooner's YA Starbound Trilogy takes its readers to a faraway future in which humanity has colonized several foreign planets. This is made possible through the invention of hyperspace travel by engineer and entrepreneur Roderick LaRoux, who—upon discovering that the dimensions affected by this mode of travel are inhabited by a sentient collective consciousness—imprisons and enslaves parts of this consciousness to exploit them to maximize his profits. Throughout the trilogy, six teenage protagonists encounter the imprisoned sentient non-humans (known as "whispers"), form collaborative relationships with them, and eventually set them free. In this article, I argue that while the Starbound Trilogy advocates for multispecies justice through its representation of teenagers who form alliances with non-human beings and stand up to corporate practices exploiting them, the novels ultimately fall short of abandoning their anthropocentric perspective.
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