“相信这些话”:视觉、声音和黑人女性的认知方式

IF 0.5 Q3 CULTURAL STUDIES
B. Wallace
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引用次数: 0

摘要

在布兰妮·库珀(Brittney Cooper)所说的“进步女权主义愿景”的保护下,本文将索兰吉2017年的文章(《给我青少年的一封信》)和2016年的专辑(《桌子上的座位》)作为黑人女权主义议程的一部分,以解放和鼓励黑人女性确认她们的声音、愿景和知识。在这项工作中,索兰吉让人们看到,这些声音、愿景和知识不仅有意义,而且具有变革性。“相信这些话”一开始就把索兰吉的作品确立为进步的女权主义愿景。接着,书中分析了视觉和声音在塑造新的存在方式和成长过程中所扮演的角色,这体现在书信体散文《给少年自我的一封信》和专辑《餐桌上的一个座位》中。该研究以反思索兰吉的作品如何被视为黑人女权主义认识论来结束,这些认识论使我们能够放大黑人女性的人性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
Abstract Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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