{"title":"人文主义批评的逻辑框架:批判世界图景逻辑模式的基础","authors":"Zhao Changping","doi":"10.1080/10971467.2020.1765548","DOIUrl":null,"url":null,"abstract":"Abstract This paper presents the philosophical and theological underpinnings of the so-called “world-picture logic” mode of critique. It also outlines the arguments—empirical, transcendental and creationist—upon which the aesthetic framework depends that has the world relational picture as its object. By laying out these arguments and inquiring into the nature of what is human, it sketches the relational theology central to the “world-picture logic” mode of critique.","PeriodicalId":42082,"journal":{"name":"CONTEMPORARY CHINESE THOUGHT","volume":"51 1","pages":"11 - 23"},"PeriodicalIF":0.4000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10971467.2020.1765548","citationCount":"0","resultStr":"{\"title\":\"The Logical Framework for Humanist Criticism: The Foundations of the World-Picture Logic Mode of Critique1\",\"authors\":\"Zhao Changping\",\"doi\":\"10.1080/10971467.2020.1765548\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper presents the philosophical and theological underpinnings of the so-called “world-picture logic” mode of critique. It also outlines the arguments—empirical, transcendental and creationist—upon which the aesthetic framework depends that has the world relational picture as its object. By laying out these arguments and inquiring into the nature of what is human, it sketches the relational theology central to the “world-picture logic” mode of critique.\",\"PeriodicalId\":42082,\"journal\":{\"name\":\"CONTEMPORARY CHINESE THOUGHT\",\"volume\":\"51 1\",\"pages\":\"11 - 23\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10971467.2020.1765548\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY CHINESE THOUGHT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10971467.2020.1765548\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY CHINESE THOUGHT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10971467.2020.1765548","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
The Logical Framework for Humanist Criticism: The Foundations of the World-Picture Logic Mode of Critique1
Abstract This paper presents the philosophical and theological underpinnings of the so-called “world-picture logic” mode of critique. It also outlines the arguments—empirical, transcendental and creationist—upon which the aesthetic framework depends that has the world relational picture as its object. By laying out these arguments and inquiring into the nature of what is human, it sketches the relational theology central to the “world-picture logic” mode of critique.
期刊介绍:
This wide ranging journal is essential reading for anyone who wants to understand the diverse themes and influences that shape Chinese thought today. It features translations of the most current and influential Chinese writings on all aspects of philosophical endeavor, from theoretical essays on systems to studies of China"s cultural and religious development, from interpretations of the Chinese classics to exegeses on Marxist thought.