B.帕斯捷尔纳克和M.布尔加科夫作品中的和平动机

L. Fei, M. S. Rudenko
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引用次数: 0

摘要

和平观念从《圣经》进入俄罗斯文化,成为其重要的精神传统。随着世俗文学的发展,和平逐渐走出了神圣的领域,成为具有丰富内涵的重要审美概念。帕斯捷尔纳克和布尔加科夫在他们的作品中反思了存在和艺术领域的和平,特别是家庭和爱情的本体论价值,对历史、死亡和创造力的思考。记忆的概念在两位作家的艺术世界中扮演着重要的角色。布尔加科夫和帕斯捷尔纳克的书是重生和不朽的见证,这是他们参与神圣事业的方式。本文分析了和平动机在帕斯捷尔纳克《日瓦戈医生》、布尔加科夫《大师》和《玛格丽塔》小说中的地位和作用,以及它们的异同。在这方面,比较了作为艺术家世界焦点的房子、音乐、创造力的形象,考虑了心爱的缪斯和救世主的类型学相关人物,指出了创造力中不朽主题揭示的特殊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Motive of Peace in the Works of B. Pasternak and M. Bulgakov
The concept of peace entered into Russian culture from the Bible and became its important spiritual tradition. With the development of secular literature, peace has gradually come out of the sacred field and become the significant aesthetic concept rich in connotation. In their works, Pasternak and Bulgakov reflect on the peace in the field of existence and art, especially the ontological value of family and love, thoughts about history, death and creativity. The concept of memory plays an important role in the artistic world of the two writers. Bulgakovs and Pasternaks books are testimony to rebirth and immortality, which is the way they participate in the sacred cause. The paper analyzes the place and role of the motive of peace in the novels of B. Pasternak Doctor Zhivago and M. Bulgakov The Master and Margarita in their similarities and differences. In this regard, the images of the house, music, creativity as the focus of the artists world are compared, the typological related figures of the beloved muse and the savior are considered, the specificity of the disclosure of the theme of immortality in creativity is noted.
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CiteScore
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