{"title":"上帝的面孔:拉比萨松的伊兰本Mordechai Shandukh","authors":"Eliezer Baumgarten","doi":"10.1163/18718000-12340131","DOIUrl":null,"url":null,"abstract":"\n\nRabbi Sasson ben Mordechai Shandukh was one of the leaders of the renewed Jewish community in Baghdad in the second half of the eighteenth century and at the beginning of the nineteenth century. Among the literary heritage left by Rabbi Sasson Shandukh, which includes moral literature, liturgical poems, halakhic literature and prominent Kabbalistic literature, are the unique Kabbalistic ilanot (rotuli “trees”) he created. The four long rotuli that he created that have reached us are the subject of this article. The kabbalistic ilanot of Shandukh are distinctive for their great length, their eclectic sources, for their interpretation of the Lurianic theory of emanation, and for their anthropomorphic representations of divine faces, drawn in accordance with the teachings of the famed Safed kabbalist R. Isaac Luria.","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-17"},"PeriodicalIF":0.2000,"publicationDate":"2020-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Faces of God: The Ilan of Rabbi Sasson ben Mordechai Shandukh\",\"authors\":\"Eliezer Baumgarten\",\"doi\":\"10.1163/18718000-12340131\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\nRabbi Sasson ben Mordechai Shandukh was one of the leaders of the renewed Jewish community in Baghdad in the second half of the eighteenth century and at the beginning of the nineteenth century. Among the literary heritage left by Rabbi Sasson Shandukh, which includes moral literature, liturgical poems, halakhic literature and prominent Kabbalistic literature, are the unique Kabbalistic ilanot (rotuli “trees”) he created. The four long rotuli that he created that have reached us are the subject of this article. The kabbalistic ilanot of Shandukh are distinctive for their great length, their eclectic sources, for their interpretation of the Lurianic theory of emanation, and for their anthropomorphic representations of divine faces, drawn in accordance with the teachings of the famed Safed kabbalist R. Isaac Luria.\",\"PeriodicalId\":41613,\"journal\":{\"name\":\"Images\",\"volume\":\"1 1\",\"pages\":\"1-17\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Images\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18718000-12340131\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Images","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18718000-12340131","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
拉比Sasson ben Mordechai Shandukh是18世纪下半叶和19世纪初巴格达复兴犹太社区的领导人之一。在拉比萨松·尚杜克留下的文学遗产中,包括道德文学、礼拜诗、清真文学和著名的卡巴利主义文学,还有他创造的独特的卡巴利派“树”。他创造的四个长圆形物已经到达我们这里,这就是本文的主题。Shandukh的卡巴利主义伊拉诺因其庞大的长度、兼收并蓄的来源、对卢里亚散发理论的解释以及根据著名的安全卡巴利主义者R.Isaac Luria的教导绘制的神圣面孔的拟人化表示而与众不同。
Faces of God: The Ilan of Rabbi Sasson ben Mordechai Shandukh
Rabbi Sasson ben Mordechai Shandukh was one of the leaders of the renewed Jewish community in Baghdad in the second half of the eighteenth century and at the beginning of the nineteenth century. Among the literary heritage left by Rabbi Sasson Shandukh, which includes moral literature, liturgical poems, halakhic literature and prominent Kabbalistic literature, are the unique Kabbalistic ilanot (rotuli “trees”) he created. The four long rotuli that he created that have reached us are the subject of this article. The kabbalistic ilanot of Shandukh are distinctive for their great length, their eclectic sources, for their interpretation of the Lurianic theory of emanation, and for their anthropomorphic representations of divine faces, drawn in accordance with the teachings of the famed Safed kabbalist R. Isaac Luria.
期刊介绍:
The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.