技术上什么也没有:框定生命和自然属性

IF 0.1 0 PHILOSOPHY
James Dutton
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引用次数: 0

摘要

这篇文章将考察传统形而上学的两个基本方面——虚无和自然的“概念”,以批判性地解读它们如何构建我们对“生命”的理解。“它断言,这两个概念是形而上学思想的极限点:当试图克服或重新想象它们时,出现的混乱是在紧迫的人道主义问题中遇到的僵局,如生态崩溃、虚无主义、异化和灭绝。这本杂志的读者可能会重视这样一种详细的、技术性的尝试;这篇文章将表明,技术感的增强可以产生一种新的思想形象,一种可能摆脱这些担忧的人类中心主义基础的形象。1在这样做的过程中,论点将坚持某些形而上学图式的适当愿望中的缺陷,将意义形成并保持在静态和可复制的特性中——这一愿望在伯纳德·斯蒂格勒对工艺的解读中得到了显著的批评。它表明,这个缺陷是基于性质的自然感和虚无感的组成部分,斯蒂格勒指出,这就是我们如何界定存在。然后,它将讨论吉勒·德勒兹对这种“恰当”的灌输不可能的极限的显著批评,并在德勒兹之后,转向马塞尔·普鲁斯特的作品,认为它暗示了一种新的思想形象——一种专注于通过写作想象(或灌输)虚无的形象,暗示它是虚无的“它”自我将永远存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Technically Nothing: Enframing Life and the Properties of Nature
This essay will examine what it takes to be two foundational aspects of traditional metaphysics—the “concepts” of nothingness and nature—to offer a critical reading of how they enframe our understanding of “life.” It asserts that these two concepts are the limit point for metaphysical thought: the tangle that emerges when trying to overcome or reimagine them is an impasse encountered in pressing humanist concerns like ecological collapse, nihilism, alienation, and extinction. Readers of this journal may value a detailed, technical attempt at such an untangling; this article will suggest that a heightened sense of technics can be productive of a new image of thought, one that might escape the anthropocentric basis of these concerns.1 In doing so, the argument will insist on the flaw within certain metaphysical schematisms’ desire to appropriate, to form and hold sense into static and reproducible properties—a desire notably critiqued in Bernard Stiegler’s reading of technics. This flaw, it suggests, is constitutive of a sense of nature and nothingness based on property, one Stiegler notes is how we enframe being(s). It will then discuss Gilles Deleuze’s notable critiques of such “proper” enframing’s impossible limits and, following Deleuze, will turn to Marcel Proust’s writing as suggestive of a new image of thought—one that, focused on imagining (or enframing) nothingness through writing, inscribes an indelible remainder as that very imagination, suggesting that it is nothingness “it”self that will always remain.
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