视听制作作为抵抗:男孩对美好事物、面孔和痕迹的案例

Q3 Social Sciences
A. M. López
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引用次数: 0

摘要

本文旨在研究电视连续剧《Muchachos al-lo bien》和《Rostros y rastros》,以及它们作为视听档案和城市记忆文献的重要性。它的基础是需要认识到视频纪录片制作的重要性,以及它对构建关于麦德林和卡利暴力时代生活和居民的社会表征的贡献。此外,它还试图帮助评估该视频作为一个重要的纪录片集,具有社会、传播和美学贡献,并强调参与该系列的电影制作人的贡献及其在视听制作方面的培训。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La producción audiovisual como resistencia: el caso de Muchachos a lo bien y Rostros y rastros
This article aims to study the television series Muchachos al lo bien and Rostros y rastros, and their importance as an audiovisual archive and as memory documents of the city. It is based on the need to recognize the importance of video documentary production and its contribution to the construction of social representations about the life and inhabitants of Medellin and Cali in times marked by violence. Additionally, it seeks to contribute to the evaluation of the video as a significant documentary collection, which has social, communicative and aesthetic contributions, and to highlight the contribution of filmmakers who participated in the series and their training in audiovisual production.
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来源期刊
Revista Interamericana de Bibliotecologia
Revista Interamericana de Bibliotecologia Social Sciences-Library and Information Sciences
CiteScore
0.80
自引率
0.00%
发文量
17
审稿时长
52 weeks
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