鲍里斯·涅切尔达的《智识侦探的伦理美学境界》(《承运人之死》)

Валентина Саєнко
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引用次数: 0

摘要

从Boris Necherda周围的真实人物中塑造小说人物原型的手段非常重要,尤其是敖德萨著名艺术家Yuriy Kovalenko形象的塑造,以及两位不同但精神上亲密的创作者的美学探索的转变。《承运人之死》文本中的怪圈,既影响了小说的类型性质,也影响了它的情节和构成,以这种方式创造了一个哲学潜台词。因此,鲍里斯·涅切尔达的小说极大地推动了20世纪末——21世纪的开端——乌克兰文学中一个存在的、智慧的侦探的形成,它建立在两个对立领域的和谐之上——大众阅读和eletism(文本的内在艺术性,它创造了一个语文游戏,导致了小说的深渊感)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ETHIC-AESTHETIC HORI ZONS OF AN INTELLECTUAL DETECTIVE BY BORIS NECHERDA («THE DEATH OF A CARRIER»)
The means of creating the prototypes of the personages of the novel from the real peo- ple from Boris Necherda’s surrounding are very important, especially the creation of the image of a famous Odessa artist Yuriy Kovalenko and changing of aethetic search of two different but spiritually close creators. Agonal circles, spread all over the text of «The death of a Carrier», influence both genre nature of the novel and its plot and composition, creating a philosophic subtext in such a way. Thus, the novel of Boris Necherda gave a great impulse to formation of an existantial, intellectual detective in Ukrainian literature of the end of the 20th — the be-ginning of the 21st century, built on the harmony of two opposite spheres — mass-reading and eletism (immanent artistic nature of the text, which subbases creates a philological game, leading to a abyssal sense of the novel).
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