出售有机玻璃:参与公开工作

IF 0.2 4区 艺术学 0 ARCHITECTURE
Grace Ong Yan
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引用次数: 0

摘要

本文探讨了被称为有机玻璃的透明神奇材料,不仅分析了它从日常和普通到更高级的艺术和设计形式的转变,而且分析了有机玻璃的创新设计和艺术实验如何利用设计,透明度和人类参与。作为一种物质,有机玻璃的空白板岩性质可以通过Umberto Eco的“开放工作”理论在许多层面上以无数形式被有效地考虑。有机玻璃®的历史作为罗门哈斯公司的化学发明将提供洞察其材料转化为市场,它与资本的关系。为了激活将有机玻璃®应用于室内空间的理论,我将讨论历史和当代的设计实例。在这篇文章中,我提供了在资本主义背景下和反对资本主义背景下使用有机玻璃®设计的新视角,并考虑了其后现代状况。它分为以下几个部分:1)透明的界面,2)欲望与市场,3)“坏品味”与抵抗,4)爆炸进入空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Plexiglas for sale: Engaging the open work
This essay explores the transparent wonder material known as plexiglass, analysing not only its transformations from the everyday and generic to the more elevated forms of art and design, but how innovative design and artistic experimentation with plexiglass utilises design, transparency, and human engagement. As a substance, plexiglass’ blank slate nature can be productively considered in a myriad of forms at many levels through the lens of Umberto Eco’s theory of the “open work.” Histories of Plexiglas® as a chemical invention of the Rohm and Haas company will offer insights into its material transformations for the market, and its relationship to capital. To activate theories that engage Plexiglas® in interior space, I will discuss historical and contemporary design examples. In this essay, I offer new perspectives on designing with Plexiglas® within and against the context of capitalism and consider its postmodern condition. It is organized in the following sections: 1) The transparent interface, 2) Desire and the market, 3) “Bad taste” & Resistance, 4) Explosion into Space.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
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