《栽在阴影里:以《草原莲花》、《草原上的小屋》和《奥利弗·Optic的希望与拥有》中的性暴力为中心

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Abigail S. Woodward
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引用次数: 0

摘要

摘要:对Linda Sue Park的《草原莲花》(2020)的批评集中在这部文本上,认为它是对《草原上的小房子》的改写,尤其是认为这部由亚裔女主角主演的作品纠正了《小房子》中更令人不安的方面。这篇文章转而关注渗透到朴作品中的性暴力,并对其进行了总结。我将其与奥利弗·奥西奇(Oliver Optic)的一篇19世纪的文本一起研究,该文本也以美国西部的性暴力为特色;在这样做的过程中,我将《草原莲花》重新定义为一部值得审视的文本,它反映了针对亚裔美国妇女和女孩的性暴力历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Planted in the Shadows: Centering Sexual Violence in Prairie Lotus, Little House on the Prairie, and Oliver Optic's Hope and Have
Abstract:Criticism of Linda Sue Park's Prairie Lotus (2020) has focused on this text as a rewriting of Little House on the Prairie, particularly the idea that this work—which stars an Asian American heroine—corrects the more troubling aspects of Little House. This essay instead focuses on the sexual violence that seeps into and concludes Park's work. I examine this alongside a 19th century text by Oliver Optic that also features sexual violence in the American West; in so doing I reframe Prairie Lotus as a text worth examining as a reflection of the history of sexualized violence against Asian American women and girls.
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