{"title":"日本以欧洲为中心的文化主题公园:国内游客对场所品牌的看法","authors":"A. Hashimoto, D. Telfer, Kyoko Telfer","doi":"10.1080/14766825.2023.2178314","DOIUrl":null,"url":null,"abstract":"ABSTRACT During the Bubble Economy era, cultural theme parks were constructed in rural Japan for economic rejuvenation. These cultural theme parks or gaikoku mura (foreign villages) embrace foreign cultures and landscapes rather than rollercoasters. They offer Japanese tourists the foreign travel experience adapted and modified for the Japanese market. Set within place-based branding, imaginaries, and authenticity, this paper compares the Eurocentric theme parks of Huis Ten Bosch in Nagasaki and Yufuin Floral Village in Oita. Opening in 1992, Huis Ten Bosch is a large-scale cultural theme park based on Nagasaki’s historical connection to the Netherlands. Recreating Dutch cities and landscapes, it offers hotels, restaurants, shops, and attractions. Within the hot springs area of Yufuin, the Floral Village opened in 2012, modelled after The Cotswolds, UK. Houses with storybook architecture contain souvenir shops and tea rooms featuring characters from British literature and Studio Ghibli anime. Based on site visits, photographic documentation, and qualitative sentiment analysis of comments written by visitors on TripAdvisor, the paper investigates the perceptions of Japanese tourists. They are positive about Huis Ten Bosch with developers having successfully created and branded a Dutch environment, while mixed messages at Yufuin demonstrate the importance of product-market match for these ‘exotic’ attractions.","PeriodicalId":2,"journal":{"name":"ACS Applied Bio Materials","volume":null,"pages":null},"PeriodicalIF":4.6000,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Eurocentric cultural theme parks in Japan: domestic tourists’ perspectives on place branding\",\"authors\":\"A. Hashimoto, D. Telfer, Kyoko Telfer\",\"doi\":\"10.1080/14766825.2023.2178314\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT During the Bubble Economy era, cultural theme parks were constructed in rural Japan for economic rejuvenation. These cultural theme parks or gaikoku mura (foreign villages) embrace foreign cultures and landscapes rather than rollercoasters. They offer Japanese tourists the foreign travel experience adapted and modified for the Japanese market. Set within place-based branding, imaginaries, and authenticity, this paper compares the Eurocentric theme parks of Huis Ten Bosch in Nagasaki and Yufuin Floral Village in Oita. Opening in 1992, Huis Ten Bosch is a large-scale cultural theme park based on Nagasaki’s historical connection to the Netherlands. Recreating Dutch cities and landscapes, it offers hotels, restaurants, shops, and attractions. Within the hot springs area of Yufuin, the Floral Village opened in 2012, modelled after The Cotswolds, UK. Houses with storybook architecture contain souvenir shops and tea rooms featuring characters from British literature and Studio Ghibli anime. Based on site visits, photographic documentation, and qualitative sentiment analysis of comments written by visitors on TripAdvisor, the paper investigates the perceptions of Japanese tourists. They are positive about Huis Ten Bosch with developers having successfully created and branded a Dutch environment, while mixed messages at Yufuin demonstrate the importance of product-market match for these ‘exotic’ attractions.\",\"PeriodicalId\":2,\"journal\":{\"name\":\"ACS Applied Bio Materials\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":4.6000,\"publicationDate\":\"2023-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACS Applied Bio Materials\",\"FirstCategoryId\":\"91\",\"ListUrlMain\":\"https://doi.org/10.1080/14766825.2023.2178314\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"MATERIALS SCIENCE, BIOMATERIALS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACS Applied Bio Materials","FirstCategoryId":"91","ListUrlMain":"https://doi.org/10.1080/14766825.2023.2178314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"MATERIALS SCIENCE, BIOMATERIALS","Score":null,"Total":0}
引用次数: 0
摘要
摘要在泡沫经济时代,日本乡村建设了文化主题公园,以实现经济复兴。这些文化主题公园或外国村庄拥抱外国文化和景观,而不是过山车。它们为日本游客提供针对日本市场进行调整和修改的外国旅行体验。本文以基于地点的品牌、想象和真实性为背景,比较了长崎的惠氏十博施和大分的玉坊花卉村这两个以欧洲为中心的主题公园。惠斯滕博施于1992年开业,是一个基于长崎与荷兰历史联系的大型文化主题公园。它重建了荷兰的城市和景观,提供酒店、餐厅、商店和景点。在Yufuin的温泉区,Floral Village于2012年开业,仿照英国科茨沃尔德。故事书建筑的房子里有纪念品商店和茶室,里面有英国文学和吉卜力工作室动漫中的人物。基于实地考察、图片记录和对TripAdvisor上游客评论的定性情感分析,本文调查了日本游客的看法。他们对Huis Ten Bosch持积极态度,开发商成功地创造了一个荷兰环境并为其打上了品牌,而Yufuin的混合信息表明了产品市场匹配对这些“异国情调”景点的重要性。
Eurocentric cultural theme parks in Japan: domestic tourists’ perspectives on place branding
ABSTRACT During the Bubble Economy era, cultural theme parks were constructed in rural Japan for economic rejuvenation. These cultural theme parks or gaikoku mura (foreign villages) embrace foreign cultures and landscapes rather than rollercoasters. They offer Japanese tourists the foreign travel experience adapted and modified for the Japanese market. Set within place-based branding, imaginaries, and authenticity, this paper compares the Eurocentric theme parks of Huis Ten Bosch in Nagasaki and Yufuin Floral Village in Oita. Opening in 1992, Huis Ten Bosch is a large-scale cultural theme park based on Nagasaki’s historical connection to the Netherlands. Recreating Dutch cities and landscapes, it offers hotels, restaurants, shops, and attractions. Within the hot springs area of Yufuin, the Floral Village opened in 2012, modelled after The Cotswolds, UK. Houses with storybook architecture contain souvenir shops and tea rooms featuring characters from British literature and Studio Ghibli anime. Based on site visits, photographic documentation, and qualitative sentiment analysis of comments written by visitors on TripAdvisor, the paper investigates the perceptions of Japanese tourists. They are positive about Huis Ten Bosch with developers having successfully created and branded a Dutch environment, while mixed messages at Yufuin demonstrate the importance of product-market match for these ‘exotic’ attractions.