{"title":"反对编辑“白色”:将莎士比亚的跨种族喜剧夫妇还原为爱的徒劳","authors":"Scott Maisano","doi":"10.1086/725195","DOIUrl":null,"url":null,"abstract":"t his essay shows how anti-Black prejudice, especially misogynoir, led to the editing out of a Black woman — or rather, a fi gure racialized and gendered as such — from the Shakespearean canon of characters and subsequently to the loss of what would have been the playwright ’ s most visible, if not only, interracial comedic couple. 1 The signi fi cance of an interracial comedic couple becomes apparent when we consider how this couple is featured in","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"51 1","pages":"55 - 88"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Against Editing “Whitely”: Restoring Shakespeare’s Interracial Comedic Couple to Love’s Labour’s Lost\",\"authors\":\"Scott Maisano\",\"doi\":\"10.1086/725195\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"t his essay shows how anti-Black prejudice, especially misogynoir, led to the editing out of a Black woman — or rather, a fi gure racialized and gendered as such — from the Shakespearean canon of characters and subsequently to the loss of what would have been the playwright ’ s most visible, if not only, interracial comedic couple. 1 The signi fi cance of an interracial comedic couple becomes apparent when we consider how this couple is featured in\",\"PeriodicalId\":53676,\"journal\":{\"name\":\"Renaissance Drama\",\"volume\":\"51 1\",\"pages\":\"55 - 88\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Renaissance Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/725195\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725195","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Against Editing “Whitely”: Restoring Shakespeare’s Interracial Comedic Couple to Love’s Labour’s Lost
t his essay shows how anti-Black prejudice, especially misogynoir, led to the editing out of a Black woman — or rather, a fi gure racialized and gendered as such — from the Shakespearean canon of characters and subsequently to the loss of what would have been the playwright ’ s most visible, if not only, interracial comedic couple. 1 The signi fi cance of an interracial comedic couple becomes apparent when we consider how this couple is featured in