{"title":"在下面,有这个房间","authors":"J. Preston","doi":"10.1080/20419112.2021.1962055","DOIUrl":null,"url":null,"abstract":"The live art performance Being Under Symphony was delivered as a keynote presentation at the 2019 Interior Design Educator’s Council’s annual conference held in Charlotte, North Carolina, USA. The drama of Being Under Symphony redirected long-revered conventions of learning about an interior as if it were a collection of merely functional materials and systems to being with an interior as a mutual assemblage of thriving energetic forces. Such a critical shift in perspective and experience is allied to my commitment to practice the tenets of New Materialism in a direct, immersive, and embodied manner with respect to everyday materials, objects and interior surfaces. As such, this performative lecture attended to the venue’s ceiling in an effort to incite its vitality and to point to the merits of practicing in the spirit of under.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Being under, with THIS room\",\"authors\":\"J. Preston\",\"doi\":\"10.1080/20419112.2021.1962055\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The live art performance Being Under Symphony was delivered as a keynote presentation at the 2019 Interior Design Educator’s Council’s annual conference held in Charlotte, North Carolina, USA. The drama of Being Under Symphony redirected long-revered conventions of learning about an interior as if it were a collection of merely functional materials and systems to being with an interior as a mutual assemblage of thriving energetic forces. Such a critical shift in perspective and experience is allied to my commitment to practice the tenets of New Materialism in a direct, immersive, and embodied manner with respect to everyday materials, objects and interior surfaces. As such, this performative lecture attended to the venue’s ceiling in an effort to incite its vitality and to point to the merits of practicing in the spirit of under.\",\"PeriodicalId\":41420,\"journal\":{\"name\":\"Interiors-Design Architecture Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interiors-Design Architecture Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20419112.2021.1962055\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interiors-Design Architecture Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20419112.2021.1962055","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
在美国北卡罗来纳州夏洛特市举行的2019年室内设计教育者委员会年会上,现场艺术表演“Being Under Symphony”作为主题演讲发表。“在交响乐之下”的戏剧重新引导了长期以来受人尊敬的关于室内的学习惯例,就好像它仅仅是功能性材料和系统的集合,与内部作为蓬勃发展的能量力量的相互组合。这种观点和经验的关键转变与我对新唯物主义的承诺有关,我致力于以一种直接、沉浸式和具体化的方式实践日常材料、物体和室内表面。因此,这次表演讲座是在场地的天花板上进行的,旨在激发场地的活力,并指出在地下精神下练习的优点。
The live art performance Being Under Symphony was delivered as a keynote presentation at the 2019 Interior Design Educator’s Council’s annual conference held in Charlotte, North Carolina, USA. The drama of Being Under Symphony redirected long-revered conventions of learning about an interior as if it were a collection of merely functional materials and systems to being with an interior as a mutual assemblage of thriving energetic forces. Such a critical shift in perspective and experience is allied to my commitment to practice the tenets of New Materialism in a direct, immersive, and embodied manner with respect to everyday materials, objects and interior surfaces. As such, this performative lecture attended to the venue’s ceiling in an effort to incite its vitality and to point to the merits of practicing in the spirit of under.