弥合鸿沟:当代本土艺术展中的伦理与法律

IF 1.2 Q1 HISTORY
Tahnee M. Ahtoneharjo-Growingthunder
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引用次数: 0

摘要

艺术和人文学科普遍缺乏资金,这促使博物馆寻求额外的资源,尤其是针对多样性的资源。这种财政需求导致许多文化机构将努力更多地纳入美国印第安人社区及其文化遗产。然而,这些包容性的努力往往被误导,因为艺术家、专家和顾问的选择并不能准确反映我们社区的构成。事实上,艺术特别容易受到那些伪造文化证书的人的影响,他们试图被选中获得令人垂涎的表演、展览或指导美国印第安人艺术的机会。将美国印第安人艺术纳入非原住民机构,特别是那些没有与原住民社区合作经验的机构,必须以源社区定义的道德实践为基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
The general lack of funding for arts and humanities has prompted museums to search for additional resources, especially geared to diversity. This financial need has resulted in many cultural institutions directing their efforts to an increased inclusion of American Indian communities and their cultural heritage. These efforts toward inclusion, however, often are often misguided in that the selection of artists, experts and consultants do not accurately reflect the constitution of our communities. In fact, the arts are particularly susceptible to individuals who have falsified their cultural credentials in an effort to be selected for coveted opportunities to perform, exhibit or guide American Indian arts. The incorporation of American Indian art into non-Native institutions, in particular those that do not have experience working with Native communities, must be grounded in ethical practices that are defined by source communities.
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