捕捉海派精神:花园别墅室内设计与普拉达荣宅保护

IF 1.2 2区 艺术学 0 ARCHITECTURE
Chunyao Liu, E. Cunningham
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引用次数: 0

摘要

2017年,意大利时装公司普拉达向公众展示了其在上海的一座百年豪宅荣宅的保护。1在媒体上,这座历史保护项目因其非凡的工艺和修复精美的内部元素而广受赞誉,展示了西方文化影响与中国传统建筑细节的结合。荣宅被归类为花园别墅,这是上海“半殖民地”时期出现的一种特殊的独立式住宅建筑。2同时出现的还有海派概念,这一术语既代表了上海独特的建筑风格,也代表了包含多元文化和世界主义的区域文化。以下分析强调了花园别墅和海派之间的联系,认为荣宅是海派的代表,尤其体现在融入了欧洲和中国建筑传统的室内设计元素。这种联系为理解普拉达荣宅的修复和再利用、它的受欢迎程度和局限性提供了一个重要的背景。最后,通过对荣宅的考察,我们强调了海派对我们理解中国历史室内的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Capturing the Haipai Spirit: Garden Villa Interiors and the Preservation of Prada Rong Zhai
In 2017, Italian fashion house Prada unveiled to the public its preservation of a century-old mansion in Shanghai, named Rong Zhai.1 In the media, this historic preservation project was widely hailed as a success for its extraordinary craftsmanship and beautifully restored interior elements, displaying a combination of Western cultural influences alongside traditional Chinese architectural details. Rong Zhai is categorized as a Garden Villa, a special type of detached residential architecture that emerged during Shanghai’s “semi-colonial” past.2 Also emerging in the same period is the concept of Haipai, a term that represents both Shanghai’s unique architectural style and the regional culture that embraces multi-culturalism and cosmopolitanism. The following analysis highlights the connection between the Garden Villa and Haipai, arguing that Rong Zhai is a representation of Haipai, particularly evident in the inclusion of interior design elements from both European and Chinese architectural traditions. This connection provides an essential context to understanding the restoration and reuse of Prada Rong Zhai, its popularity, and limitations. Finally, through an investigation of Rong Zhai, we highlight the contributions of Haipai to our understanding of Chinese historic interiors.
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来源期刊
CiteScore
2.50
自引率
30.80%
发文量
24
期刊介绍: The Journal of Interior Design is a scholarly, refereed publication dedicated to issues related to the design of the interior environment. Scholarly inquiry representing the entire spectrum of interior design theory, research, education and practice is invited. Submissions are encouraged from educators, designers, anthropologists, architects, historians, psychologists, sociologists, or others interested in interior design.
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