来和我一起尖叫:关于女权主义故事和向虚空尖叫

IF 1.5 Q1 CULTURAL STUDIES
Amber Moore, K. Hare
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引用次数: 0

摘要

摘要在本文中,我们将学术视角应用于“向虚空尖叫”,尤其是在应对与新兴女权主义和扫盲教育学者类似的激烈生活经历时。我们一起制作了富有传奇色彩的尖叫声景——我们称之为女权主义的“尖叫声景”,这在很大程度上是对我们早期学者残酷乐观主义经历的回应。我们把我们的尖叫声理解为女权主义的快照或断裂点,通过我们生活经历的映射来代表我们——过去自我的片段需要反思。通过一个共同叙事的女权主义调查,我们将我们的反思和经历编织在一起,我们分析了尖叫的三个部分:身体尖叫、尖叫和空虚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Come Scream with Me: On feminist stories and screaming into the void
ABSTRACT In this paper, we apply a scholarly lens to ‘screaming into the void,’ especially in response to similarly intense moments of lived experience as emergent feminist and literacy education scholars. Together, we produce storied soundscapes of screaming – a kind of cartography that we call feminist ‘screamscapes’, largely in response to our experience as cruel optimist early academics. We understand our screamscapes as feminist snaps, or breaking points, that represent us through mappings of our lived experiences – fragments of past selves that demand reflection. Presented using a co-narrative feminist inquiry where we weave our reflections and experiences together, we analyse three parts of screaming: the body screaming, the scream, and the void.
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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