感兴趣的产品

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
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引用次数: 0

摘要

88M是一个紧凑的10 × 10音频接口(见图1),使用与Neve的88RS控制台相同的88 Marinair变压器耦合麦克风前置放大器。它在前面板上有两个组合麦克风/线/DI输入,它们馈送到Marinair变压器。有独立的幻像电源开关和增益控制每个。每个信号类型和幻象电源的激活都提供LED指示灯。后面板通过TOSLINK光学连接器提供8个ADAT数字输入和输出,通过TRS插孔提供2个模拟监视器输出。两个模拟输入通道上的发送和返回回路的平衡插入也位于这里。前面板有一个TRS插孔,用于耳机输出,具有独立的电平控制。在这旁边有一个大的显示器锅类似,发现在88RS控制台。该接口为单声道和立体声信号提供无延迟监控。88M的频率响应为20 Hz至20 kHz,净空为+18 dB(在1 kHz时小于0.5% THD),总谐波失真(THD)噪声小于0.008%(在+18 dBu和1 Hz时)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Products of Interest
The 88M is a compact 10 × 10 audio interface (see Figure 1) that uses the same 88 Marinair transformercoupled microphone preamplifier as Neve’s 88RS console. It has two combination microphone/line/DI inputs on the front panel, which feed into the Marinair transformer. There are independent phantom power switches and a gain control for each. LED indicators are provided for each signal type and activation of phantom power. The rear panel features eight ADAT digital inputs and output on TOSLINK optical connectors and two analog monitor outputs on TRS jacks. Balanced inserts for send and return loops on the two analog input channels are also located here. The front panel has a TRS jack for headphone output with an independent level control. Beside this there is a large monitor pot similar to that found on the 88RS console. The interface provides latency free monitoring for mono and stereo signals. The 88M offers a frequency response of 20 Hz to 20 kHz, headroom of +18 dB (less than 0.5 percent THD at 1 kHz), and total harmonic distortion (THD) with noise of less than 0.008 percent (at +18 dBu and 1 Hz).
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来源期刊
Computer Music Journal
Computer Music Journal 工程技术-计算机:跨学科应用
CiteScore
1.80
自引率
0.00%
发文量
2
审稿时长
>12 weeks
期刊介绍: Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.
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