性别、神灵与索贝克内弗鲁的公众形象

IF 0.3 2区 历史学 0 ARCHAEOLOGY
K. Diamond
{"title":"性别、神灵与索贝克内弗鲁的公众形象","authors":"K. Diamond","doi":"10.1086/716826","DOIUrl":null,"url":null,"abstract":"Sobekneferu ascended the Egyptian throne near the end of the Twelfth Dynasty. She was not only the first female king but also the first royal woman for whom we have evidence of cross-dressing. From the record she has left us it is clear that the gender-incongruent imagery associated with Egyptian warrior goddesses established a foundation for her composite imagery. Sobekne-feru embraced masculine poses in her statues, masculine titles and grammatical endings in her inscriptions, and on her Louvre statue she adopted masculine dress. This paper illustrates how her multiple-gendered works were inspired by well-entrenched ideas organic to Egypt, how her self-styled image was based on historic prototypes, and how her transgression of social gender boundaries was sanctioned by religion.","PeriodicalId":51934,"journal":{"name":"NEAR EASTERN ARCHAEOLOGY","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gender, Deities, and the Public Image of Sobekneferu\",\"authors\":\"K. Diamond\",\"doi\":\"10.1086/716826\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Sobekneferu ascended the Egyptian throne near the end of the Twelfth Dynasty. She was not only the first female king but also the first royal woman for whom we have evidence of cross-dressing. From the record she has left us it is clear that the gender-incongruent imagery associated with Egyptian warrior goddesses established a foundation for her composite imagery. Sobekne-feru embraced masculine poses in her statues, masculine titles and grammatical endings in her inscriptions, and on her Louvre statue she adopted masculine dress. This paper illustrates how her multiple-gendered works were inspired by well-entrenched ideas organic to Egypt, how her self-styled image was based on historic prototypes, and how her transgression of social gender boundaries was sanctioned by religion.\",\"PeriodicalId\":51934,\"journal\":{\"name\":\"NEAR EASTERN ARCHAEOLOGY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEAR EASTERN ARCHAEOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/716826\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEAR EASTERN ARCHAEOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/716826","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0

摘要

索贝克内弗鲁在第十二王朝末期登上了埃及的王位。她不仅是第一位女国王,也是第一个有证据表明她穿着异性服装的皇室女性。从她留给我们的记录来看,很明显,与埃及战士女神相关的性别不一致的图像为她的合成图像奠定了基础。索贝克内-弗鲁在她的雕像中采用了男性的姿势,在她的题词中采用了男性的头衔和语法结尾,在她的卢浮宫雕像上,她采用了男性的服装。本文阐述了她的多性别作品是如何受到埃及根深蒂固的观念的启发,她的自我风格形象是如何基于历史原型的,以及她对社会性别界限的突破是如何受到宗教的认可的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender, Deities, and the Public Image of Sobekneferu
Sobekneferu ascended the Egyptian throne near the end of the Twelfth Dynasty. She was not only the first female king but also the first royal woman for whom we have evidence of cross-dressing. From the record she has left us it is clear that the gender-incongruent imagery associated with Egyptian warrior goddesses established a foundation for her composite imagery. Sobekne-feru embraced masculine poses in her statues, masculine titles and grammatical endings in her inscriptions, and on her Louvre statue she adopted masculine dress. This paper illustrates how her multiple-gendered works were inspired by well-entrenched ideas organic to Egypt, how her self-styled image was based on historic prototypes, and how her transgression of social gender boundaries was sanctioned by religion.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.10
自引率
0.00%
发文量
41
期刊介绍: Archaeological discoveries continually enrich our understanding of the people, culture, history, and literature of the Middle East. The heritage of its peoples -- from urban civilization to the Bible -- both inspires and fascinates. Near Eastern Archaeology brings to life the ancient world from Mesopotamia to the Mediterranean with vibrant images and authoritative analyses.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信