{"title":"韦克斯福德的外星人:哈利·弗尼斯、潘趣和佐zimus(“爱尔兰潘趣”)","authors":"E. Mark-Fitzgerald","doi":"10.1080/14714787.2019.1615381","DOIUrl":null,"url":null,"abstract":"Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish politics and society. This article explores Furniss’ formative years working for Zozimus, a short-lived (and mostly forgotten) illustrated periodical known as ‘The Irish Punch’, revealing both the publication’s domestic significance, and the influence of Irish affairs on Furniss’ long career.","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"20 1","pages":"135 - 151"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2019.1615381","citationCount":"0","resultStr":"{\"title\":\"An Alien in Wexford: Harry Furniss, Punch, and Zozimus (The ‘Irish Punch’)\",\"authors\":\"E. Mark-Fitzgerald\",\"doi\":\"10.1080/14714787.2019.1615381\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish politics and society. This article explores Furniss’ formative years working for Zozimus, a short-lived (and mostly forgotten) illustrated periodical known as ‘The Irish Punch’, revealing both the publication’s domestic significance, and the influence of Irish affairs on Furniss’ long career.\",\"PeriodicalId\":35078,\"journal\":{\"name\":\"Visual Culture in Britain\",\"volume\":\"20 1\",\"pages\":\"135 - 151\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14714787.2019.1615381\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Culture in Britain\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14714787.2019.1615381\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2019.1615381","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Harry Furniss(1854-1925)出生于爱尔兰,是19世纪最多产的讽刺作家之一,因为Punch创作了2000多幅插图而闻名。尽管弗尼斯经常试图将自己与爱尔兰血统区分开来,但事实证明,这一直是他讽刺作品的灵感来源,因为他利用了爱尔兰政治和社会“内部人”和“外部人”的转变地位。本文探讨了Furniss在Zozimus工作的成长岁月,这是一本名为《爱尔兰潘趣》的短命(几乎被遗忘)插图期刊,揭示了该出版物的国内意义,以及爱尔兰事务对Furniss漫长职业生涯的影响。
An Alien in Wexford: Harry Furniss, Punch, and Zozimus (The ‘Irish Punch’)
Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish politics and society. This article explores Furniss’ formative years working for Zozimus, a short-lived (and mostly forgotten) illustrated periodical known as ‘The Irish Punch’, revealing both the publication’s domestic significance, and the influence of Irish affairs on Furniss’ long career.