捕捉瞬间

Q2 Arts and Humanities
John Kelly
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引用次数: 0

摘要

这篇文章将首先说明平面设计师作为故事和他们的转录成视觉形式的监护人的角色。这是一种通过制作不同的图形格式来讲述自我的模式。其次,它将解决档案之外的叙述的混合:在作为叙述者的研究人员和档案来源之间(在这种情况下,爱德华·c·里格)。第三,这个项目的好处将考虑平面设计学生如何将讲故事作为开发品牌和内容策略的手段。这种方法考察了故事在类型和图像选择中的作用及其在平面设计中的相关性。这一过程将通过自我民族志、文化分析和重新解释口头、书面和物理短暂的机制来分析。本文认为,这些都是创造新叙述和设计概念的基石。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Capturing the moment
This article will firstly account for the role of the graphic designer as a custodian of stories and their transcriptions into visual form. This is a mode of storying the self through the production of different graphic formats. Secondly, it will address the mixing of narratives from out of the archive: between the researcher as narrator and the archive source (in this case, Edward C. Rigg). Thirdly, the benefits of this project will consider how graphic design students engage with storytelling as a means to develop brand and content strategies. This approach examines the role of storytelling in type and image selection and its relevance within graphic design. The process will be analysed through the mechanisms of autoethnography, cultural analysis and the reinterpretation of oral, written and physical ephemera. The article argues that these are the building blocks for creating new narratives and design concepts.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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