{"title":"缺陷的价值","authors":"Mads Rosendahl Thomsen","doi":"10.3366/ccs.2021.0404","DOIUrl":null,"url":null,"abstract":"Georges Perec's La Vie mode d'emploi ( Life: A User's Manual) was famously based on a number of meticulously crafted lists, including a list of errors that should be made in the writing of each chapter. The engagement with imperfection in Perec's novel is central in the way it balances structure and composition with random and exchangeable elements and throughout his work the random plays a significant role. In this article, I will move from Perec's work to a wider discussion of the values of imperfection in two distinct domains: the idea of the classic and the vision of the posthuman.","PeriodicalId":42644,"journal":{"name":"Comparative Critical Studies","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Values of Imperfection\",\"authors\":\"Mads Rosendahl Thomsen\",\"doi\":\"10.3366/ccs.2021.0404\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Georges Perec's La Vie mode d'emploi ( Life: A User's Manual) was famously based on a number of meticulously crafted lists, including a list of errors that should be made in the writing of each chapter. The engagement with imperfection in Perec's novel is central in the way it balances structure and composition with random and exchangeable elements and throughout his work the random plays a significant role. In this article, I will move from Perec's work to a wider discussion of the values of imperfection in two distinct domains: the idea of the classic and the vision of the posthuman.\",\"PeriodicalId\":42644,\"journal\":{\"name\":\"Comparative Critical Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Critical Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/ccs.2021.0404\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Critical Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/ccs.2021.0404","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
乔治·佩雷克（Georges Perec）的《生活：用户手册》（La Vie mode d’emploi，Life：A User’s Manual）以一系列精心编制的列表为基础，其中包括每章写作中应该犯的错误列表。佩雷克小说中与不完美的接触是其平衡结构和构图与随机和可交换元素的核心，在他的作品中，随机性发挥了重要作用。在这篇文章中，我将从佩雷克的作品转向更广泛地讨论两个不同领域中的不完美价值观：经典的思想和后人类的愿景。
Georges Perec's La Vie mode d'emploi ( Life: A User's Manual) was famously based on a number of meticulously crafted lists, including a list of errors that should be made in the writing of each chapter. The engagement with imperfection in Perec's novel is central in the way it balances structure and composition with random and exchangeable elements and throughout his work the random plays a significant role. In this article, I will move from Perec's work to a wider discussion of the values of imperfection in two distinct domains: the idea of the classic and the vision of the posthuman.
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