乔治·亨利·里维埃生态博物馆

G. Corinto
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引用次数: 2

摘要

乔治·亨利·里维埃和胡格斯·德·瓦林于1971年创造了“生态博物馆”一词。没有墙壁的博物馆最初的想法是里维埃,他有着多面的天赋。他是一位才华横溢的爵士钢琴家、航海家、行为学家和博物馆学家。当革命文化政治运动震撼整个社会时,他住在巴黎。里维埃是许多期刊的合作者,这些期刊涉及各种主题,包括艺术与科学、哲学与人类学、超现实主义和民族志。该论文认为,制作电子博物馆的想法源于里维埃对杂志、仓库、音乐和博物馆的热情。这种创新的愿景确实起源于巴黎的文化环境,超现实主义和民族志都是在这种环境中产生的,然后在截然不同的方向上进行区分和分离。随着他的创新思想,法国博物馆学得以发展,即使是新博物馆学也能打开翅膀,对文化和科学做出决定性的改进。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ecomuseum of George Henri Rivière
Georges Henri Riviere and Hugues de Varine coined the term ecomuseum in 1971. The original idea museums without walls is of Riviere, who had a multifaceted talent. He was a talented jazz pianist, voyager, ethologist, and museologist. He lived in Paris when revolutionary cultural political movements shook the entire society. Riviere was a collaborator of many journals that treated various topics, mixing art and science, philosophy and anthropology, surrealism and ethnography. The paper argues that the idea of making ecomuseums derived from Riviere’s passion for magazines, warehouse, music, and museums. This innovative vision did originate in the Parisian cultural milieu within which both Surrealism and Ethnography were borne, before distinguishing and separating in very different directions. Following his innovative ideas, French Museology grew, and even a New Museology could open the wings and make decisive cultural and scientific enhancements.
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