儿童跨性别女性主义

Pub Date : 2022-12-01 DOI:10.3138/jeunesse-2022-0006
A. Sansonetti
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引用次数: 1

摘要

摘要:这篇混合研究文章/三幕剧介绍了作者所谓的“儿童跨性别女性主义”——包括它的实践和它的创造者——作为基于艺术的研究、批评和教学法的材料,在酷儿和跨性别儿童研究中得到了肯定。它上演了三场当代跨性别女权主义的表演,让孩子们思考女孩友谊是如何拒绝顺式规范的认识,从而让女性化的男孩和跨性别女孩有可能成为女孩:第一幕,朋克艺术家兼作家西比尔·兰姆(Sybil Lamb) 2018年的画作;2015年作家亚历克斯·吉诺(Alex Gino)的儿童小说《第二幕》(Act 2);以及2013年纪录片《情人节之路》(Valentine Road)中,初中生艾弗里·拉斯基(Averi Laskey)创作的一首诗《第三幕》(Act 3)。在这些表演中,顺性和跨性妇女和儿童分享了空间、时间和少女时代的感觉,没有不友好的种族主义、生物本质主义和资产阶级的体面政治,也没有在跨性别女性主义联谊会中重新获得魅力的承诺。以下三个儿童跨性别女性主义行为进一步证明了这一说法。
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Transfeminism for Children
Abstract:This hybrid research article/three-act play introduces what the author calls "transfeminism for children"—both its practices and its makers—as material for art-based research, criticism, and pedagogy in queer- and trans-affirming childhood studies. It stages three contemporary acts of transfeminism for children to consider how girl friendships refuse cis-normative knowing in favour of making girlhood possible for feminine boys and trans girls: Act 1, a 2018 painting by punk artist and writer Sybil Lamb; Act 2, a 2015 children's novel by writer Alex Gino; and Act 3, a poem by junior high school student Averi Laskey featured in the 2013 documentary Valentine Road. In these performances, cis and trans women and children share the space, time, and feeling of girlhood without its inhospitable racism, biological essentialism, and bourgeois politics of respectability and with the promise of its reenchantment in transfeminist sorority. It is the work of the following three acts of transfeminism for children to further evidence this claim.
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