英格兰北部西多会的艺术和建筑,约1300–1540年。迈克尔·卡特。234毫米。Pp xlvii+328,8个col plates,103张图,2张地图。Brepols出版社,Turnhout,2019。isbn:9782503581934。100欧元(hbk)。

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
R. Stalley
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引用次数: 0

摘要

以及圣杯、书籍、卷轴、心灵和灵魂等象征的意义。结论部分强调了一些纪念碑及其环境的复杂性, 其中包括对韦尔威克十四世纪牧师墓的引人入胜的案例研究。作者们将其认定为威廉·德拉马雷的纪念碑,对这座部分拆除的纪念碑进行了巧妙的重建,这座纪念碑曾经显然巧妙地利用了光线。这本书包括一个索引和一张有用的县尾页地图,上面标明了所讨论的肖像的位置。它图文并茂,文笔优美,尽管丰富的事实信息并不总是让阅读变得容易,更多的交叉引用可能会有所帮助。令人遗憾的是,作者们经常直言不讳地批评其他作家,尽管他们承认有时会修改自己早期的发现(例如, –). 他们对后来的修复和重新修整的描述,例如17世纪对c的军事肖像的挪用 在斯卡伯勒(无花果 和), 应该提醒那些不小心的人。在里面 我自己也犹豫地提出了在斯卡克利夫(德比郡)建造康斯坦蒂亚和她的儿子约翰纪念碑的13世纪日期,作者在将其与穆里尔·菲茨艾伦在贝代尔的肖像进行比较时引用了这一日期(pp–), 忽略了这一点,我后来认为斯卡克利夫肖像是后中世纪的伪造品。当然,约会和文体分析通常是一个意见问题,很少有研究能得出结论。然而,这项调查是一项令人印象深刻的成就,将激励和帮助现在和未来的中世纪纪念碑研究人员。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Art and Architecture of the Cistercians in Northern England c 1300–1540. By Michael Carter. 234mm. Pp xlvii + 328, 8 col plates, 103 figs, 2 maps. Brepols Publishers, Turnhout, 2019. isbn: 9782503581934. €100 (hbk).
and meaning of such symbols as chalices, books, scrolls, hearts and souls. The complexity of some monuments and their settings is highlighted in the concluding section , which comprises a fascinating case study of the fourteenth-century priest’s tomb at Welwick. Identifying it as William de la Mare’s, the authors provide a masterful reconstruction of this partly dismantled monument that once apparently featured an ingenious use of light. The book includes an index and a helpful endpaper map of the county indicating the locations of the effigies discussed. It is richly illustrated and well written, although the wealth of factual information does not always make easy reading and more cross-referencing might have been helpful. It is regrettable that the authors often do not mince words criticising other writers, although they admit to having sometimes revised their own earlier findings (eg pp , –). Their descriptions of later repairs and recuttings, such as the seventeenth-century appropriation of a military effigy of c at Scarborough (figs  and ), should serve as a warning to the unwary. In  I myself hesitantly proposed a thirteenth-century date for the monument to Constantia and her son John in Scarcliffe (Derbyshire), which the authors cite in their comparison with Muriel FitzAlan’s effigy in Bedale (pp –), omitting that I have since argued the Scarcliffe effigy to be a post-medieval forgery. Dating and stylistic analysis are often a matter of opinion, of course, and few studies can ever be definitive. However, this survey is an impressive achievement that will inspire and assist present and future researchers of medieval monuments.
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来源期刊
Antiquaries Journal
Antiquaries Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
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34
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