超越昆虫学批判:重新思考鲁什和非洲电影

J. Berthe
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引用次数: 1

摘要

摘要Jean Rouch在西非工作了60多年,长期以来一直是非洲电影界的争议人物。尽管他的合作和参与方法旨在挑战殖民地和后殖民地的现状,但这些方法是从确保法国在西非存在的支持结构和系统内部实现的。本文以Rouch和塞内加尔电影制作人Oussmane Sembène之间棘手的关系为出发点,认为尽管Rouch和独立后的非洲电影制作人之间保持的距离在许多方面都是可以理解和有指导意义的,但这对Rouch来自西非的合作者造成了伤害,有效地将他们从法国和非洲电影史上抹去。鉴于非洲电影正处于深刻变革的时刻,作者认为,在鲁奇和他的非洲同时代人之间开启一种新的对话的时机已经成熟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond the entomological critique: re-thinking Rouch and African cinema
Abstract Having worked in West Africa for over 60 years, Jean Rouch has long been a contentious figure in African film circles. Though his collaborative and participatory methods aimed to challenge the colonial and postcolonial status quo, they did so from within the very structures and systems of support that secured the French presence in West Africa. Taking the prickly relationship between Rouch and Senegalese filmmaker Ousmane Sembène as a starting point, this essay argues that, while understandable and instructive in many respects, the distance maintained between Rouch and post-independence African filmmakers has done a disservice to Rouch’s collaborators hailing from West Africa, effectively effacing them from both French and African film histories. Given that African cinema is in a moment of profound transformation, the author contends that the time is ripe to open up a new kind of dialogue between Rouch and his African contemporaries.
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来源期刊
Studies in French Cinema
Studies in French Cinema FILM, RADIO, TELEVISION-
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