赫梯宗教的天象,第2部分:亚兹利卡亚的宇宙象征

Q2 Arts and Humanities
E. Zangger, E. Krupp, Serkan Demirel, R. Gautschy
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引用次数: 0

摘要

在埃及、美索不达米亚和欧洲青铜时代的社会中,有大量的证据表明系统的天文观测和天体知识对文化的影响。对星体现象的兴趣也反映在赫梯文献、建筑和艺术中。亚齐利卡亚主室内的64尊神的岩石雕刻浮雕可以分为几组,分别标记日子、会合月和太阳年。亚齐利卡亚是赫梯人的岩石圣地,与安纳托利亚中部的赫梯人首都哈图萨有关。在这里,我们认为避难所的整体代表了宇宙的象征性形象,包括其静态水平(地球、天空、地下世界)和更新和再生的循环过程(白天/晚上、月相、夏天/冬天)。整个保护区都强调静态水平和天体周期性——每一个浮雕都与这个系统有关。我们将位于A室最北端的具有最高神的中央面板解读为北极星、环极地和世界轴线。B室似乎象征着幽冥。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Celestial Aspects of Hittite Religion, Part 2: Cosmic Symbolism at Yazilikaya
Evidence of systematic astronomical observation and the impact of celestial knowledge on culture is plentiful in the Bronze Age societies of Egypt, Mesopotamia and Europe. An interest in astral phenomena is also reflected in Hittite documents, architecture and art. The rock-cut reliefs of 64 deities in the main chamber of Yazilikaya, a Hittite rock sanctuary associated with Hattusa, the Hittite capital in central Anatolia, can be broken into groups marking days, synodic months and solar years. Here, we suggest that the sanctuary in its entirety represents a symbolic image of the cosmos, including its static levels (earth, sky, underworld) and the cyclical processes of renewal and rebirth (day/night, lunar phases, summer/winter). Static levels and celestial cyclicities are emphasised throughout the sanctuary – every single relief relates to this system. We interpret the central panel with the supreme deities, at the far north end of Chamber A, as a reference to the northern stars, the circumpolar realm and the world axis. Chamber B seems to symbolise the netherworld.
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来源期刊
Journal of Skyscape Archaeology
Journal of Skyscape Archaeology Arts and Humanities-Archeology (arts and humanities)
CiteScore
1.00
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10
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