Reinventing the Blues

In 1941, three Fisk University scholars—musician John Wesley Work, sociologist Lewis Jones, and sociology student Samuel Adams—documented the listening habits of Black residents of Coahuma County, Mississippi, and the jukebox offerings in the Black-patronized establishments of Coahuma’s county seat, Clarksdale, while their Library of Congress colleague Alan Lomax recorded local blues and folk musicians. Lomax was in search of Robert Johnson, who had died three years earlier, so instead recorded songs by Muddy Waters, Son House, and other Delta blues musicians that remain lodestars of the genre. Work, Jones, and Adams, however, discovered that many Black Delta people did not listen to much blues. At the King and Anderson Plantation, near Clarksdale, Black farmworkers and sharecroppers liked some blues songs (though primarily of the crooning type that would influence 1940s jazz) but listened mostly to popular songs, swing numbers, hymns, and gospel, admiring Cab Calloway and the sometimesbluesy Count Basie but also Benny Goodman, Artie Shaw, and Roy Acuff. On the jukebox at Messenger’s Café in Clarksdale, the top six numbers were by bandleaders Count Basie, Louis Jordan, Johnny Hodges, Eddy Duchin, and Sammy Kaye. Even in the cradle of the blues, scant miles from Robert Johnson’s Crossroads, in the town where Bessie Smith died, Black Mississippians were mostly listening to other things. Even in 1941.1 This disparity between apparent and actual Black Southern taste endures: now, Clarksdale is a center for blues tourism, attracting more than 100,000 visitors—almost all white—to the blues clubs downtown, while Black people repeatedly told sociologist B. Brian Foster that they mostly liked other music: soul (Luther Vandross, Marvin Gaye, Patti LaBelle) and gospel, among older people, and hip-hop (Nicki Minaj, Moneybagg Yo, 2 Chainz), among the younger. Even when asked to name blues music they like, they refer to people who might be classed as blues but might also be called southern soul: Johnnie Taylor, Marvin Sease, Jackie Neal, Tyrone Davis.