{"title":"跨国合作的肖像:奥古斯托·c·桑迪诺在旧金山的形象追溯与重塑","authors":"J. M. Medina","doi":"10.7560/slapc3705","DOIUrl":null,"url":null,"abstract":"Abstract:Crafted as posters to promote solidarity gatherings, a series of illustrations of Augusto C. Sandino circulated in San Francisco between 1978 and 1979. Later modified as postcards, these images became part of the iconography of the Mission Cultural Center. A reading of these graphics reveals a visual imagery of resistance that weaves local and transnational aesthetics and praxis. A consideration of their changing form and circulation unveil some of the histories of Central American-Mexican-Chicanx collaborations in California, while introducing us to a network of artists and activists that forged a new cultural platform and practices of alliances. A formal analysis of these images and their transformations suggests that they anticipate the ideological trajectory of Sandino's legacy and depict the historical processes therein. In their changes and re-creations, these renderings of Sandino document the dynamics of a Latinx collaboration, specifically between Mexican/Americans and Central Americans in Northern California, while reflecting the gentrification of the Mission District and the San Francisco Bay Area.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Portraits of Transnational Collaboration: Retracing and Remaking the Image of Augusto C. Sandino in San Francisco\",\"authors\":\"J. M. Medina\",\"doi\":\"10.7560/slapc3705\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Crafted as posters to promote solidarity gatherings, a series of illustrations of Augusto C. Sandino circulated in San Francisco between 1978 and 1979. Later modified as postcards, these images became part of the iconography of the Mission Cultural Center. A reading of these graphics reveals a visual imagery of resistance that weaves local and transnational aesthetics and praxis. A consideration of their changing form and circulation unveil some of the histories of Central American-Mexican-Chicanx collaborations in California, while introducing us to a network of artists and activists that forged a new cultural platform and practices of alliances. A formal analysis of these images and their transformations suggests that they anticipate the ideological trajectory of Sandino's legacy and depict the historical processes therein. In their changes and re-creations, these renderings of Sandino document the dynamics of a Latinx collaboration, specifically between Mexican/Americans and Central Americans in Northern California, while reflecting the gentrification of the Mission District and the San Francisco Bay Area.\",\"PeriodicalId\":53864,\"journal\":{\"name\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/slapc3705\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/slapc3705","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:1978年至1979年间,奥古斯托·c·桑迪诺(Augusto C. Sandino)的一系列插画在旧金山流传,这些插画是为了促进团结集会而制作的海报。这些图像后来被修改为明信片,成为教会文化中心的一部分。对这些图形的解读揭示了一种交织着本地和跨国美学与实践的抵抗视觉意象。考虑到它们不断变化的形式和循环,揭示了中美洲-墨西哥-墨西哥裔美国人在加利福尼亚合作的一些历史,同时向我们介绍了一个由艺术家和活动家组成的网络,他们建立了一个新的文化平台和联盟的实践。对这些图像及其转变的形式分析表明,它们预测了桑迪诺遗产的意识形态轨迹,并描绘了其中的历史进程。在他们的变化和再创造中,桑迪诺的这些效果图记录了拉丁裔合作的动态,特别是墨西哥/美国人和北加州中美洲人之间的合作,同时反映了教会区和旧金山湾区的士绅化。
Portraits of Transnational Collaboration: Retracing and Remaking the Image of Augusto C. Sandino in San Francisco
Abstract:Crafted as posters to promote solidarity gatherings, a series of illustrations of Augusto C. Sandino circulated in San Francisco between 1978 and 1979. Later modified as postcards, these images became part of the iconography of the Mission Cultural Center. A reading of these graphics reveals a visual imagery of resistance that weaves local and transnational aesthetics and praxis. A consideration of their changing form and circulation unveil some of the histories of Central American-Mexican-Chicanx collaborations in California, while introducing us to a network of artists and activists that forged a new cultural platform and practices of alliances. A formal analysis of these images and their transformations suggests that they anticipate the ideological trajectory of Sandino's legacy and depict the historical processes therein. In their changes and re-creations, these renderings of Sandino document the dynamics of a Latinx collaboration, specifically between Mexican/Americans and Central Americans in Northern California, while reflecting the gentrification of the Mission District and the San Francisco Bay Area.