不仅仅是黄金:在栗色流行音乐中体现采矿的人类成本

IF 0.6 1区 艺术学 0 MUSIC
C. Campbell
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引用次数: 0

摘要

马龙派(逃离奴役的非洲人的后代)长期以来一直与苏里南政府在金矿开采立法及其强化问题上处于敌对关系。这个有争议的话题包括关于土地权以及相互冲突的经济和环境优先事项的复杂辩论。这篇文章探讨了三位当代马龙派流行音乐家如何超越对黄金的股票隐喻,引用当地对黄金和金矿业的参与。我引入了表演形象的概念,作为一种策略,演讲者或表演者利用他们的具体存在来维护他们的权利和/或自我价值,反对可能破坏他们的做法和政策。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
More than Gold: Embodying the Human Cost of Mining in Maroon Popular Music
Maroons (descendants of Africans who escaped enslavement) have long been locked in an antagonistic relationship with the Surinamese government over gold-mining legislation and its reinforcement. This contentious topic includes complex debates over land rights and conflicting economic and environmental priorities. This article considers how three contemporary Maroon popular musicians have gone beyond stock metaphors about gold to reference local engagements with gold and the gold-mining industry. I introduce the concept, performative figuring, as a strategy whereby a speaker or performer uses their embodied presence to assert their rights and/or self-worth against practices and policies that threaten to undermine them.
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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