伊凡·斯特普卡的抒情诗《杂耍》。木偶被砍掉了头:语义的标题和故事的隐喻

Studia Slavica Pub Date : 2017-12-01 DOI:10.1556/060.2017.62.2.14

Нина Владимировна Барковская, А. Громинова

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引用次数: 0

摘要

本文旨在解读伊万·斯特普卡的诗歌《插曲》。木偶缩短了一个头。分析了主要画面的模糊性、情节的逻辑性、互文的功能以及诗学的特点。艺术世界的戏剧化表现了极权主义社会的危机，一场“精神大决战”，同时也表现了抒情主体自身矛盾的增加。诗中的社会政治意义与哲学内容和元文学思想直接相关。超现实主义和达达主义的传统对作者来说很重要，我们可以将其与当代俄罗斯文学中的埃琳娜·施瓦茨的“新巴洛克”相提并论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Лирическая поэма Ивана Штрпки «Интермедии. Марионетки, укороченные на голову»: семантика заглавия и метафорика сюжета

The present paper is aimed at the interpretation of Ivan Strpka’s poem Interlude. Puppets Shortened by a Head. The ambiguity of main pictures, the logics of the plot and the functions of intertext as well as peculiarities of its poetics are analysed. The theatricalization of the artistic world shows the crisis of totalitarian society, a “mental Armageddon” as well as an increase in contradictions in the very lyric subject at the same time. The social and politic meaning in the poem is directly related to philosophic content and metaliterature thoughts. The traditions of surrealism and dadaism are important to the author, and we can make a parallel with “neobaroque” of Elena Shvarts in contemporary Russian literature.

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来源期刊

Studia Slavica

自引率

0.00%

发文量

审稿时长

10 weeks

期刊介绍： Studia Slavica publishes essays in the field of philological and folkloristic research in Slavonic studies. It also contains minor contributions, and information on events in connection with Slavonic studies in Hungary. Publishes book reviews and advertisements.