鲁尔区的Götterdämmerung:Christoph Schlingesief的瓦格纳拉力赛

IF 0.2 4区 社会学 Q4 AREA STUDIES
T. Kovacs
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引用次数: 0

摘要

摘要:本文主要介绍克里斯托夫·施林格西夫的《瓦格纳集会》(2004),这部作品被描述为他在拜罗伊特上演瓦格纳的《帕西法尔》的对应作品。受克鲁格短篇小说《维也纳的Götterdämmerung》的启发,Rallye通过在公共空间中分散瓦格纳歌剧的声音,彻底改写了瓦格纳的Gesamtkunstwerk概念。在《兰契》一书中,我将瓦格纳的创作素材描述为“躯干美学”,并讨论了其解放潜力,同时在鲁尔音乐节的特定背景下对其进行了审视;一个与已建立的文化机构相对应的节日,试图将文化带给工人阶级。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Götterdämmerung im Ruhrgebiet: Christoph Schlingensiefs Wagner-Rallye
abstract:This article focuses on Christoph Schlingensief's Wagner-Rallye (2004), a work described as a counterpart to his staging of Wagner's Parsifal in Bayreuth. Inspired by Kluge's short story "Götterdämmerung in Wien," the Rallye radically reworks Wagner's Gesamtkunstwerk concept by dispersing the sound of his operas in the public space. With Rancière, I describe the becoming-material of Wagner as "aesthetics of the torso" and discuss its emancipatory potential while simultaneously examining it withing the specific context of the Ruhrfestspiele; a festival founded as counterpart to established cultural institutions in an attempt to bring culture to the working class.
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CiteScore
0.20
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发文量
71
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