音乐表达的3D交互技术

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Florent Berthaut
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引用次数: 7

摘要

随着虚拟现实耳机的普及,越来越多的艺术应用程序被开发出来,包括沉浸式乐器。3D用户界面研究社区设计的3D交互技术,如导航、选择和操纵技术,为音乐控制打开了许多机会。例如,远程传送、自由行走/飞行和路径规划等导航技术能够以不同的方式访问乐谱、空间化声源场景甚至参数空间。操纵技术提供了新颖的手势和隐喻,例如用于绘制或雕刻声音实体。最后,3D选择技术促进了与复杂视觉结构的交互,复杂视觉结构可以表示分层时间结构、音频图、分数或参数空间。然而,现有设备和技术的开发主要着眼于效率,即最大限度地减少错误率和任务完成时间。因此,它们的设计并没有考虑到音乐互动的细节。在本文中,我们回顾了现有的3D交互技术,并研究了它们如何用于音乐控制,包括它们为乐器设计师打开的可能性。然后,我们提出了一些研究方向,以适应和扩展用于音乐表达的3DUI
本文章由计算机程序翻译,如有差异,请以英文原文为准。
3D interaction techniques for musical expression
As Virtual Reality headsets become accessible, more and more artistic applications are developed, including immersive musical instruments. 3D interaction techniques designed in the 3D User Interfaces research community, such as navigation, selection and manipulation techniques, open numerous opportunities for musical control. For example, navigation techniques such as teleportation, free walking/flying and path-planning enable different ways of accessing musical scores, scenes of spatialised sound sources or even parameter spaces. Manipulation techniques provide novel gestures and metaphors, e.g. for drawing or sculpting sound entities. Finally, 3D selection techniques facilitate the interaction with complex visual structures which can represent hierarchical temporal structures, audio graphs, scores or parameter spaces. However, existing devices and techniques were developed mainly with a focus on efficiency, i.e. minimising error rate and task completion times. They were therefore not designed with the specifics of musical interaction in mind. In this paper, we review existing 3D interaction techniques and examine how they can be used for musical control, including the possibilities they open for instrument designers. We then propose a number of research directions to adapt and extend 3DUIs for musical expression
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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