19世纪意大利的手稿照明。Squarcialupi抄本两份部分抄本的材料分析

Q2 Social Sciences

Open Information Science Pub Date : 2021-01-01 DOI:10.1515/opis-2021-0006

Sebastian Bosch, A. Janke

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引用次数: 0

摘要

两份意大利手稿中的插图至今仍是个谜。这两份手稿全部或部分基于1410/15年左右的佛罗伦萨广场法典(佛罗伦萨，Biblioteca Medicea Laurenziana, Med. Pal. 87)。借助移动仪器(XRF光谱，可见反射光谱和红外反射成像)的多分析，非破坏性方法，我们首次检查了手稿多伦多，托马斯费舍尔稀有图书图书馆，MSS 09700和d sseldorf, Kunstpalast, Inv. K 1925-67。现代颜料的鉴定使它们能够在19世纪的照明实践中被语境化。当时的手册提供了大量关于特定照明实践的信息，以及与实际人工制品相关的文字和绘画材料的可用性。

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Manuscript Illumination in 19th-century Italy. Material Analysis of Two Partial Copies from the Squarcialupi Codex

Abstract The illuminations in two Italian manuscripts are still a mystery today. Both manuscripts were based fully or partly on the Florentine Squarcialupi Codex (Florence, Biblioteca Medicea Laurenziana, Med. Pal. 87) dating from around 1410/15. With the help of a multi-analytical, non-destructive approach employing mobile instrumentation (XRF spectroscopy, visible reflectance spectroscopy and infrared reflectography), we examined the manuscripts Toronto, Thomas Fisher Rare Book Library, MSS 09700 and Düsseldorf, Kunstpalast, Inv. K 1925-67 for the first time with regard to their production processes. The identification of modern pigments allows them to be contextualized in illumination practices of the 19th century. Manuals of that time provide a wealth of information on specific illumination practices and the availability of writing and painting materials, which correlates with the actual artefacts.

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来源期刊

Open Information Science Social Sciences-Library and Information Sciences

CiteScore

1.40

自引率

0.00%

发文量

审稿时长

8 weeks