重新审视时尚作为交流的方式

IF 1.5 Q2 COMMUNICATION
M. Barnard
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引用次数: 1

摘要

本文通过回顾文化研究和近期时尚新闻对传播者/接受者传播模式的引用,介绍了传播者/接受者传播模式和时尚传播模式。本文认为,这种模式存在三个主要问题。然后,它介绍并批评了围绕半机械人的各种争论,这是一些理论家提出的人/机器“混合体”,并认为在半机械人的概念中发现了假体概念的局限性和弱点。然后,本文分析了通信的符号学模型,并使用德里达的建构性假体概念来批判传统的假体概念和通信模型,因为它在符号学模型中发现。最后,本文确定了时尚的本构假体和时尚作为交流的解释的一些重要后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fashion as communication revisited
ABSTRACT The essay introduces the sender/receiver model of communication and fashion communication by reviewing cultural studies and recent fashion journalism references to it. The essay argues that there are three major problems with this model. It then introduces and critiques various arguments around the cyborg, a human/machine “hybrid” as some theorists present it and argues that there are limitations and weaknesses in the conception of the prosthesis as found in the notion of the cyborg. The essay then analyses semiological models of communication and uses Derrida’s conception of the constitutive prosthesis to critique both traditional conceptions of the prosthesis and the model of communication as it is found in semiological models. Finally, the essay identifies some significant consequences of the constitutive prosthesis for fashion and the explanation of fashion as communication.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
发文量
15
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