瓦格纳为拿撒勒人耶稣写的散文小品：对一部未完成歌剧的历史与神学思考

IF 1.3 3区哲学 0 RELIGION

Journal for the Study of the Historical Jesus Pub Date : 2017-12-11 DOI:10.1163/17455197-01502007

Richard H. Bell

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引用次数: 0

摘要

1849年5月，瓦格纳在他领导的起义失败后逃离德累斯顿。他在德累斯顿的最后一部创作作品是歌剧《拿撒勒的耶稣》的散文小品，这是他研究古罗马世界和《新约》以及一些圣经批评知识的结果。尽管他把耶稣描绘成一个社会革命者，因为他攻击法利赛人、压迫和不公正，但他决不是一个政治救世主；事实上，瓦格纳强调了他的牺牲，这导致了圣灵的给予。我探索的这部作品的主要神学主题包括耶稣的弥赛亚、法律和自由，以及他死亡的意义。

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Richard Wagner’s Prose Sketches for Jesus of Nazareth: Historical and Theological Reflections on an Uncompleted Opera

In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism. Although he portrays Jesus as a social revolutionary in that he attacks the Pharisees, oppression and injustice, he is by no means a political messiah; indeed Wagner emphases his sacrificial death which results in the giving of the Holy Spirit. Key theological themes of the work which I explore include Jesus’ messiahship, law and freedom, and the significance of his death.

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来源期刊

Journal for the Study of the Historical Jesus RELIGION-

CiteScore

1.20

自引率

0.00%

发文量

期刊介绍： The Journal for the Study of the Historical Jesus provides an international forum for the academic discussion of Jesus within the context of first-century Palestine. The journal is accessible to all who are interested in how this complex topic has been addressed in the past and how it is approached today. The journal investigates the social, cultural and historical context in which Jesus lived, discusses methodological issues surrounding the reconstruction of the historical Jesus, examines the history of research on Jesus and explores how the life of Jesus has been portrayed in the arts and other media.