{"title":"浮士德博士与死亡的艺术","authors":"M. Vinter","doi":"10.1086/691197","DOIUrl":null,"url":null,"abstract":"hat, exactly, has Faustus done? How has he come to act against the command of God? The moral and theological framework of Christow pher Marlowe’s Doctor Faustus has proven notoriously hard to fix. Critics have plausibly interpreted the play through a variety of religious and philosophical lenses, from Calvinist predestinarianism to free-thinking iconoclasm. And turning to the text scarcely clarifies Faustus’s theological context and devo-","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"45 1","pages":"1 - 23"},"PeriodicalIF":0.0000,"publicationDate":"2017-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/691197","citationCount":"0","resultStr":"{\"title\":\"Doctor Faustus and the Art of Dying Badly\",\"authors\":\"M. Vinter\",\"doi\":\"10.1086/691197\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"hat, exactly, has Faustus done? How has he come to act against the command of God? The moral and theological framework of Christow pher Marlowe’s Doctor Faustus has proven notoriously hard to fix. Critics have plausibly interpreted the play through a variety of religious and philosophical lenses, from Calvinist predestinarianism to free-thinking iconoclasm. And turning to the text scarcely clarifies Faustus’s theological context and devo-\",\"PeriodicalId\":53676,\"journal\":{\"name\":\"Renaissance Drama\",\"volume\":\"45 1\",\"pages\":\"1 - 23\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/691197\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Renaissance Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/691197\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/691197","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
hat, exactly, has Faustus done? How has he come to act against the command of God? The moral and theological framework of Christow pher Marlowe’s Doctor Faustus has proven notoriously hard to fix. Critics have plausibly interpreted the play through a variety of religious and philosophical lenses, from Calvinist predestinarianism to free-thinking iconoclasm. And turning to the text scarcely clarifies Faustus’s theological context and devo-