{"title":"转向许多人:艾未未","authors":"Chang Tan, Ai Weiwei","doi":"10.1353/dia.2021.0007","DOIUrl":null,"url":null,"abstract":"Abstract:“Crowdsourced,” frequently recycled, made in large quantity, and easily transmittable across analog and digital borders, Ai’s art and activism mark the turn(s) of global contemporary art toward the remixing, the participatory, the media-savvy, and the socially engaged—turns that were gathering strength for more than a century but began to coalesce into powerful discourses in the 1990s.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":"49 1","pages":"150 - 155"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"A Turn to the Many: Ai Weiwei\",\"authors\":\"Chang Tan, Ai Weiwei\",\"doi\":\"10.1353/dia.2021.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:“Crowdsourced,” frequently recycled, made in large quantity, and easily transmittable across analog and digital borders, Ai’s art and activism mark the turn(s) of global contemporary art toward the remixing, the participatory, the media-savvy, and the socially engaged—turns that were gathering strength for more than a century but began to coalesce into powerful discourses in the 1990s.\",\"PeriodicalId\":46840,\"journal\":{\"name\":\"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM\",\"volume\":\"49 1\",\"pages\":\"150 - 155\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/dia.2021.0007\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dia.2021.0007","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Abstract:“Crowdsourced,” frequently recycled, made in large quantity, and easily transmittable across analog and digital borders, Ai’s art and activism mark the turn(s) of global contemporary art toward the remixing, the participatory, the media-savvy, and the socially engaged—turns that were gathering strength for more than a century but began to coalesce into powerful discourses in the 1990s.
期刊介绍:
For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.