Florrie Burke访谈录

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349483

Sarah Keller, Patricia White

{"title":"Florrie Burke访谈录","authors":"Sarah Keller, Patricia White","doi":"10.1215/02705346-9349483","DOIUrl":null,"url":null,"abstract":"\n In this interview, Patricia White and Sarah Keller talk with Barbara Hammer's partner for over thirty years, Florrie Burke, who in multiple ways has helped keep Hammer's work present in the art world after her death in 2019. In the interview, Burke discusses life with Hammer and her drive to complete projects during the last years of her life. Outlining the variety of outlets for Hammer's work after her death, Burke describes her own role in ensuring the continuation of Hammer's legacy.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interview with Florrie Burke\",\"authors\":\"Sarah Keller, Patricia White\",\"doi\":\"10.1215/02705346-9349483\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In this interview, Patricia White and Sarah Keller talk with Barbara Hammer's partner for over thirty years, Florrie Burke, who in multiple ways has helped keep Hammer's work present in the art world after her death in 2019. In the interview, Burke discusses life with Hammer and her drive to complete projects during the last years of her life. Outlining the variety of outlets for Hammer's work after her death, Burke describes her own role in ensuring the continuation of Hammer's legacy.\",\"PeriodicalId\":44647,\"journal\":{\"name\":\"CAMERA OBSCURA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMERA OBSCURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/02705346-9349483\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-9349483","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

在这次采访中，帕特里夏·怀特和莎拉·凯勒采访了芭芭拉·哈默30多年的合作伙伴弗洛里·伯克，她在2019年哈默去世后，以多种方式帮助哈默的作品在艺术界保持存在。在采访中，伯克讨论了与哈默的生活，以及她在生命最后几年完成项目的动力。伯克概述了哈默死后作品的各种渠道，并描述了她自己在确保哈默遗产延续方面的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Interview with Florrie Burke

In this interview, Patricia White and Sarah Keller talk with Barbara Hammer's partner for over thirty years, Florrie Burke, who in multiple ways has helped keep Hammer's work present in the art world after her death in 2019. In the interview, Burke discusses life with Hammer and her drive to complete projects during the last years of her life. Outlining the variety of outlets for Hammer's work after her death, Burke describes her own role in ensuring the continuation of Hammer's legacy.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.