Musical intention as a mean of communication in variety vocal ensemble

The purpose of this article is to analyze the subject of musical intention and its role in the communicative processes of the performing form of a variety vocal ensemble. The study of scientific publications on the topic revealed that the concept of intention is thoroughly researched in the field of philosophy, but in musicology, especially in its variety field, it has not been studied enough. The relevance of the chosen topic is due to the growing popularity of vocal ensembles on the modern stage and insufficient theoretical understanding of the processes within this form of performance. The methodology. In the course of this study, we used the following general and special methods: structural-functional, comparative-analytical, sys-tem-comparative, induction method, functional and empirical. In combination, all these methods of scientific knowledge allow a wider and more detailed study of the specifics of the creative activity of a variety vocal ensemble. The results. The subject of musical intention, as well as the participants in this process in the vocal ensemble, are highlighted. The influence of musical intention on the efficiency and success of the functioning of this performing form is analyzed. On the basis of our performing and teaching practice, as well as as a result of theoretical and empirical research, we come to the conclusion that the musical intention is of paramount importance at all stages of the creative activity of the variety vocal ensemble performing form and plays a key role in its development. The scientific novelty. For the first time, the phenomenon of musical intention is studied as the main principle of the creative activity of a variety vocal ensemble. This subject is considered not only as an abstract phenomenon, but as the main link in all communication processes of the modern variety vocal ensemble. The practical significance. The results obtained can be actively applied in the practice of existing professional ensembles, educational vocal groups, as well as in amateur ensemble creativity. The application of the principles of intentionality will help artistic directors and performers to work more effectively and professionally with the performing form of a variety vocal ensemble.