{"title":"“我可以写下我的名字”:收藏家的雾生精灵","authors":"S. Wolfson","doi":"10.1080/09524142.2023.2215057","DOIUrl":null,"url":null,"abstract":"ABSTRACT In a personal essay about cultic misprision of a manuscript leaf holding on one side Keats’s Sonnet to Sleep. Susan Wolfson tells a story of collecting, auctioning, and sales, from its composition in June 1820, a May 1829 auction, to news published in 1933, to eventual arrival in the Berg Collection in the New York Public Library. Various players include John Hamilton Reynolds, Sir John Bowring, wily bookseller William T. Spencer, the first and long-term curator of the Keats Memorial House in Hampstead, Fred Edgcumbe, and industrialist, diplomat, and bibliophile Owen D. Young. Although Wolfson is the principle author of this essay, it reflects considerable collaborative advice from Keats scholars John Barnard and Nicholas Roe.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"37 1","pages":"12 - 27"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘I May Write My name’: A Collector’s Fog-Born Elf\",\"authors\":\"S. Wolfson\",\"doi\":\"10.1080/09524142.2023.2215057\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In a personal essay about cultic misprision of a manuscript leaf holding on one side Keats’s Sonnet to Sleep. Susan Wolfson tells a story of collecting, auctioning, and sales, from its composition in June 1820, a May 1829 auction, to news published in 1933, to eventual arrival in the Berg Collection in the New York Public Library. Various players include John Hamilton Reynolds, Sir John Bowring, wily bookseller William T. Spencer, the first and long-term curator of the Keats Memorial House in Hampstead, Fred Edgcumbe, and industrialist, diplomat, and bibliophile Owen D. Young. Although Wolfson is the principle author of this essay, it reflects considerable collaborative advice from Keats scholars John Barnard and Nicholas Roe.\",\"PeriodicalId\":41387,\"journal\":{\"name\":\"KEATS-SHELLEY REVIEW\",\"volume\":\"37 1\",\"pages\":\"12 - 27\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"KEATS-SHELLEY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09524142.2023.2215057\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"KEATS-SHELLEY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09524142.2023.2215057","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
ABSTRACT In a personal essay about cultic misprision of a manuscript leaf holding on one side Keats’s Sonnet to Sleep. Susan Wolfson tells a story of collecting, auctioning, and sales, from its composition in June 1820, a May 1829 auction, to news published in 1933, to eventual arrival in the Berg Collection in the New York Public Library. Various players include John Hamilton Reynolds, Sir John Bowring, wily bookseller William T. Spencer, the first and long-term curator of the Keats Memorial House in Hampstead, Fred Edgcumbe, and industrialist, diplomat, and bibliophile Owen D. Young. Although Wolfson is the principle author of this essay, it reflects considerable collaborative advice from Keats scholars John Barnard and Nicholas Roe.
期刊介绍:
The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.