{"title":"玛丽·居里的脚步:罗莎·蒙特罗再也见不到你的荒谬想法","authors":"F. Coppola","doi":"10.30687/ri/2037-6588/2022/19/002","DOIUrl":null,"url":null,"abstract":"La ridícula idea de no volver a verte, a 2013 novel by Rosa Montero, tells the story of Marie Curie starting from the pages of her diary. The novel focuses on the discoveries by the scientist, through the construction of a dialogue from which a biographical symmetry emerges between Marie Curie and the Madrid-born author. The aim of this article is to reflect on which kind of story the novel offers; on how and how much the pages of Curie’s diary represent a tool, a stimulus, and a challenge to Montero’s writing process. Finally, the article highlights how the affinity between the two women – and, moreover, the presence and meaning of the scientific theme – underpins the whole narrative until it becomes an unclassifiable book, which fluctuates between autobiography and the truth-fiction dichotomy.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In the Steps of Marie Curie: La ridícula idea de no volver a verte by Rosa Montero\",\"authors\":\"F. Coppola\",\"doi\":\"10.30687/ri/2037-6588/2022/19/002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"La ridícula idea de no volver a verte, a 2013 novel by Rosa Montero, tells the story of Marie Curie starting from the pages of her diary. The novel focuses on the discoveries by the scientist, through the construction of a dialogue from which a biographical symmetry emerges between Marie Curie and the Madrid-born author. The aim of this article is to reflect on which kind of story the novel offers; on how and how much the pages of Curie’s diary represent a tool, a stimulus, and a challenge to Montero’s writing process. Finally, the article highlights how the affinity between the two women – and, moreover, the presence and meaning of the scientific theme – underpins the whole narrative until it becomes an unclassifiable book, which fluctuates between autobiography and the truth-fiction dichotomy.\",\"PeriodicalId\":36702,\"journal\":{\"name\":\"Rassegna Iberistica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rassegna Iberistica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ri/2037-6588/2022/19/002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rassegna Iberistica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ri/2037-6588/2022/19/002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
罗莎·蒙特罗(Rosa Montero) 2013年出版的小说《La ridícula idea de no volver a verte》从玛丽·居里的日记开始讲述了她的故事。这部小说通过玛丽·居里和这位马德里出生的作家之间的传记对称对话,将重点放在这位科学家的发现上。本文的目的是反思小说提供了什么样的故事;居里的日记在多大程度上代表了一种工具、一种刺激和对蒙特罗写作过程的挑战。最后,这篇文章强调了两位女性之间的亲密关系——以及科学主题的存在和意义——如何支撑着整个叙事,直到它成为一本无法分类的书,它在自传和真实与虚构的二分法之间波动。
In the Steps of Marie Curie: La ridícula idea de no volver a verte by Rosa Montero
La ridícula idea de no volver a verte, a 2013 novel by Rosa Montero, tells the story of Marie Curie starting from the pages of her diary. The novel focuses on the discoveries by the scientist, through the construction of a dialogue from which a biographical symmetry emerges between Marie Curie and the Madrid-born author. The aim of this article is to reflect on which kind of story the novel offers; on how and how much the pages of Curie’s diary represent a tool, a stimulus, and a challenge to Montero’s writing process. Finally, the article highlights how the affinity between the two women – and, moreover, the presence and meaning of the scientific theme – underpins the whole narrative until it becomes an unclassifiable book, which fluctuates between autobiography and the truth-fiction dichotomy.