{"title":"定位中国银幕:电影展特刊介绍","authors":"Chenshu Zhou","doi":"10.1080/17508061.2022.2127586","DOIUrl":null,"url":null,"abstract":"Abstract This introduction situates the topic of film exhibition in Chinese and Sinophone cinema studies in relation to the approaches of new cinema history and the crisis of traditional cinematic institutions brought about by digitization and the COVID-19 pandemic. It gives an overview of the contributions by drawing several broad conclusions, highlighting problems of infrastructure, educational cinema, the relationship between what is on and off screen, and the contextualization of film exhibition in cultural history.","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"16 1","pages":"1 - 8"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Locating Chinese screens: Introduction to a special issue on film exhibition\",\"authors\":\"Chenshu Zhou\",\"doi\":\"10.1080/17508061.2022.2127586\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This introduction situates the topic of film exhibition in Chinese and Sinophone cinema studies in relation to the approaches of new cinema history and the crisis of traditional cinematic institutions brought about by digitization and the COVID-19 pandemic. It gives an overview of the contributions by drawing several broad conclusions, highlighting problems of infrastructure, educational cinema, the relationship between what is on and off screen, and the contextualization of film exhibition in cultural history.\",\"PeriodicalId\":43535,\"journal\":{\"name\":\"Journal of Chinese Cinemas\",\"volume\":\"16 1\",\"pages\":\"1 - 8\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17508061.2022.2127586\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2022.2127586","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Locating Chinese screens: Introduction to a special issue on film exhibition
Abstract This introduction situates the topic of film exhibition in Chinese and Sinophone cinema studies in relation to the approaches of new cinema history and the crisis of traditional cinematic institutions brought about by digitization and the COVID-19 pandemic. It gives an overview of the contributions by drawing several broad conclusions, highlighting problems of infrastructure, educational cinema, the relationship between what is on and off screen, and the contextualization of film exhibition in cultural history.