{"title":"生活的游戏,或者电视如何想象女性对墨西哥足球的热情","authors":"Alejandro González Landeros","doi":"10.7560/slapc4009","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores how El juego de la vida, a 165-episode telenovela broadcast by Televisa from November 12, 2001, to June 28, 2002, contributes to expand existing soccer narratives in Mexico by reorganizing the conventions of the genre to incorporate an atypical theme: women's soccer. Despite the fact that this telenovela breaks the gender hegemony that male-centered Mexican soccer enjoyed until the beginning of the twenty-first century, El juego de la vida falls short of being a feminist project. The article concludes that Televisa did not launch El juego de la vida for political reasons but as a marketing strategy to target the untapped market of young women and draw them into the passionate realm of futbol.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":"40 1","pages":"161 - 182"},"PeriodicalIF":0.1000,"publicationDate":"2022-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El juego de la vida, o cómo Televisa imaginó la pasión femenina por el futbol mexicano\",\"authors\":\"Alejandro González Landeros\",\"doi\":\"10.7560/slapc4009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores how El juego de la vida, a 165-episode telenovela broadcast by Televisa from November 12, 2001, to June 28, 2002, contributes to expand existing soccer narratives in Mexico by reorganizing the conventions of the genre to incorporate an atypical theme: women's soccer. Despite the fact that this telenovela breaks the gender hegemony that male-centered Mexican soccer enjoyed until the beginning of the twenty-first century, El juego de la vida falls short of being a feminist project. The article concludes that Televisa did not launch El juego de la vida for political reasons but as a marketing strategy to target the untapped market of young women and draw them into the passionate realm of futbol.\",\"PeriodicalId\":53864,\"journal\":{\"name\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"volume\":\"40 1\",\"pages\":\"161 - 182\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/slapc4009\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/slapc4009","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文探讨了墨西哥Televisa电视台在2001年11月12日至2002年6月28日播出的165集电视剧《生命之日》(El juego de la vida)如何通过重组该题材的传统,融入一个非典型的主题——女子足球,来扩展墨西哥现有的足球叙事。尽管这部电视剧打破了以男性为中心的墨西哥足球在21世纪初之前一直享有的性别霸权,但El juego de la vida并不是一个女权主义项目。文章的结论是,Televisa推出El juego de la vida并非出于政治原因,而是作为一种营销策略,瞄准未开发的年轻女性市场,吸引她们进入充满激情的足球领域。
El juego de la vida, o cómo Televisa imaginó la pasión femenina por el futbol mexicano
Abstract:This article explores how El juego de la vida, a 165-episode telenovela broadcast by Televisa from November 12, 2001, to June 28, 2002, contributes to expand existing soccer narratives in Mexico by reorganizing the conventions of the genre to incorporate an atypical theme: women's soccer. Despite the fact that this telenovela breaks the gender hegemony that male-centered Mexican soccer enjoyed until the beginning of the twenty-first century, El juego de la vida falls short of being a feminist project. The article concludes that Televisa did not launch El juego de la vida for political reasons but as a marketing strategy to target the untapped market of young women and draw them into the passionate realm of futbol.