从非洲到牙买加再回来:大西洋是一个充满活力的语言接触区

A. Hollington
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引用次数: 1

摘要

本文从语言学的角度研究了非洲和牙买加的非洲侨民。它将阐明语言和交流实践,这些实践说明非洲和加勒比之间的动态和互惠关系。我的目标是超越传统(加勒比)克里奥尔语的方法,即通常调查所谓克里奥尔语中非洲“基底”的影响,并将大西洋接触区视为一个具有相互和多向影响的动态区域。这不仅涉及跨大西洋奴隶贸易的历史层面,牙买加、加勒比和美洲的非洲侨民首先是通过跨大西洋奴隶交易产生的,还将关注当前语言实践的动态性对身份、语言意识形态、语言创造力和能动性的作用。这方面的一个重要方面是非洲元素作为语言元素的象征性,它们不同于“标准英语”(通常被视为殖民地语言以及奴隶主和压迫者的语言),并且在有意识的语言选择的背景下被标记。此外,在牙买加的语言实践中,人们对非洲传统的认识为有意识地使用非洲语言元素(例如名字)提供了依据。对许多牙买加人来说,他们的非洲传统和身份发挥着重要作用。这一点尤其可以在拉斯塔法里语篇以及雷鬼音乐和文化中观察到,这些音乐和文化强调对非洲的强烈关注。这些现象在(英语)非洲也很相关,在那里,牙买加的语言实践受到雷鬼、丹切霍尔和拉斯塔法里的影响。因此,这篇文章还将举例说明散居者的影响是如何回到非洲的,例如在音乐和青年语言实践中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Africa to Jamaica and back: the Atlantic as a dynamic linguistic contact zone
This paper is concerned with Africa and the African Diaspora in Jamaica from a linguistic perspective. It will shed light on linguistic and communicative practices which illustrate the dynamic and reciprocal relationship between Africa and the Caribbean. My objective is to go beyond the approach of traditional (Caribbean) creolistics, which usually investigates African “substrate” influences in so-called creole languages, and to look at the Atlantic contact area as a dynamic zone with mutual and multidirectional influences. This will involve not only the historical dimension of the Transatlantic Slave Trade, through which the African Diaspora in Jamaica, the Caribbean, and the Americas emerged in the first place, but also a focus on the role of the dynamicity of current language practices on identity, language ideologies, linguistic creativity, and agency. An important aspect in this respect is the emblematicity of African elements, as linguistic elements, which are different from ‘Standard English’ (often perceived as the colonial language and the language of the slave master and oppressor), and which are marked in the context of conscious linguistic choices. Moreover, there is an awareness of the African heritage in Jamaican language practices that informs conscious efforts to use African linguistic elements (for instance, names). For many Jamaicans, their African heritage and identity play an important role. This can be observed, in particular, in Rastafari discourses and in Reggae music and culture, which emphasize a strong focus on Africa. These phenomena are also relevant in (Anglophone) Africa, where Jamaican linguistic practices are adopted through the influence of Reggae, Dancehall, and Rastafari. Therefore, this contribution will also feature some examples of how influences from the Diaspora come back to Africa, for example, in music and youth language practices.
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