弗兰克·奥哈拉与官僚主义的终结

IF 0.1 0 LITERATURE, AMERICAN
Jason Lagapa
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引用次数: 1

摘要

摘要:弗兰克·奥哈拉是在美国的工作环境中写诗的,在本世纪中叶,官僚主义及其相应的组织、效率、行政和文书精神越来越被定义。奥哈拉对官僚主义的反应无疑是矛盾的:尽管奥哈拉的工作中不时有迹象表明,他觉得行政程序和结构很有吸引力,但他最终无法忽视他认为冷战时期官僚规范的非人性甚至危险性。为了对抗高度管理的社会的有害本质,奥哈拉试图探索他写作的乌托邦目的,在那里,诗歌可以提供一种替代官僚时间表和时间性、办公室工作的乏味乏味和冷战时期的好战心态的选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Frank O’Hara and the End of Bureaucracy
Abstract:Frank O’Hara wrote his poems in an American work environment that was, at mid-century, becoming increasingly defined by bureaucracy and its corresponding ethos of organization, efficiency, administration, and paperwork. O’Hara’s reaction to bureaucracy was undoubtedly an ambivalent one: though O’Hara’s work periodically includes signs that he found administrative routine and structure appealing, he was ultimately not able to ignore what he perceived as dehumanizing and even perilous about bureaucratic norms in the cold war era. To counter the deleterious nature of a highly administered society, O’Hara sought to explore the utopian purpose of his writing, wherein poetry might offer an alternative to bureaucratic schedules and temporality, the stultifying tedium of office work, and the bellicose mentality of the cold war period.
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来源期刊
Arizona Quarterly
Arizona Quarterly LITERATURE, AMERICAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.
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