从权力实验室到暴力实验室:萨克森豪森纳粹集中营的全景布局与纪律与绝对权力的分化意图

IF 0.6 0 ARCHAEOLOGY
Leanne Rees
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引用次数: 0

摘要

本文借鉴福柯的《规训与惩罚》、阿伦特的《极权主义的起源》和索夫斯基的《恐怖秩序》等理论,以萨克森豪森集中营的全景布局为例,探讨规训与绝对权力的不同意图。对萨克森豪森的历史、建筑布局和社会等级的研究可以帮助我们了解建筑环境和营地社会结构对囚犯的心理影响。这篇文章不仅以科学文献为基础,还以幸存者的书面叙述和视觉历史形式的目击者报告为基础。此外,在萨克森豪森进行挖掘的考古材料提供了对囚犯日常生活方面的见解,生存策略和抵抗方式-否则没有记录。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From a Laboratory of Power to a Laboratory of Violence: The Panoptic Layout of the Nazi Concentration Camp at Sachsenhausen and the Diverging Intentions of Disciplinary and Absolute Power
Drawing on the theories of Michel Foucault’s Discipline and Punish, Hannah Arendt’s Origins of Totalitarianism and Wolfgang Sofsky’s The Order of Terror, this article takes the panoptic layout of Sachsenhausen concentration camp as a case study to explore the diverging intentions of disciplinary and absolute power. Research into the history, architectural layout and social hierarchies of Sachsenhausen can help us to understand the psychological impacts of the built environment and the social structure of the camp on its inmates. The article is based not only on scientific literature but also on eyewitness reports of survivors in the form of written accounts and visual history. Moreover, archaeological material of excavations carried out at Sachsenhausen offers insights into – otherwise undocumented – aspects of daily life, strategies of survival and ways of resistance of the prisoners.
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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