{"title":"Martina Nicolls的James Joyce巴黎住宅(评论)","authors":"Conor Fennell","doi":"10.1353/jjq.2022.0013","DOIUrl":null,"url":null,"abstract":"2 See Muiris Ó Súilleabháin, Twenty Years A-Growing, trans. Moya Llewelyn Davies and George Thomson (1933; London: Oxford Univ. Press, 1953), p. 142. 3 Enzo Traverso, Left-Wing Melancholia: Marxism, History and Memory (New York: Columbia Univ. Press, 2016), pp. 24-25. See also Hans Blumenberg, Shipwreck with Spectator: Paradigm of Metaphor for Existence (Cambridge: MIT Press, 1997). 4 Seamus Deane, “An Irish Intelligentsia: Reflections on Its Desirability,” The Honest Ulsterman, 46-47 (November 1974-February 1975), 52. 5 Anna Burns, Milkman (London: Faber and Faber, 2018). 6 See Deane, “Joyce and Stephen: The Provincial Intellectual,” Celtic Revivals: Essays in Modern Irish Literature (London: Faber and Faber, 1985), p. 75, and see James Joyce, “A Portrait of the Artist as a Young Man”: Text, Criticism, and Notes, ed. Chester G. Anderson (New York: Viking Press, 1968). 7 See Hannah Arendt, Lectures of Kant’s Political Philosophy, ed. Ronald Beiner (Chicago: Univ. of Chicago Press, 1992), p. 48. 8 See Wolfe Tone, Tone’s Career in Ireland to June 1795, vol. 1 of The Writings of Theobald Wolfe Tone, 1763-98, ed. T. W. Moody, R. B. McDowell, and C. J. Woods (Oxford: Clarendon Press, 1998), p. 174. Further references will be cited parenthetically in the text. 9 Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge: Essays on His Times, ed. David V. Erdman (London: Routledge Publishers, 1978), 2:411. 10 See “Heroic Styles: The Tradition of an Idea” (pp. 133-48). 11 Ernie O’Malley, On Another Man’s Wound (1936; Cork: Mercier Press, 2012), p. 182. 12 Elizabeth Bowen, The Last September (1927; London: Jonathan Cape, 1948), p. 203. Further references will be cited parenthetically in the text. 13 Bowen, “The Happy Autumn Fields,” The Collected Stories of Elizabeth Bowen (New York: Anchor Books, 1981), p. 684. 14 James Joyce, “Dubliners”: Text, Criticism, and Notes, ed. Robert Scholes and A. Walton Litz (New York: Viking Press, 1969), pp. 108, 42. Further references will be cited parenthetically in the text by D and the page numbers.","PeriodicalId":42413,"journal":{"name":"JAMES JOYCE QUARTERLY","volume":"59 1","pages":"534 - 537"},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Paris Residences of James Joyce by Martina Nicolls (review)\",\"authors\":\"Conor Fennell\",\"doi\":\"10.1353/jjq.2022.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"2 See Muiris Ó Súilleabháin, Twenty Years A-Growing, trans. Moya Llewelyn Davies and George Thomson (1933; London: Oxford Univ. Press, 1953), p. 142. 3 Enzo Traverso, Left-Wing Melancholia: Marxism, History and Memory (New York: Columbia Univ. Press, 2016), pp. 24-25. See also Hans Blumenberg, Shipwreck with Spectator: Paradigm of Metaphor for Existence (Cambridge: MIT Press, 1997). 4 Seamus Deane, “An Irish Intelligentsia: Reflections on Its Desirability,” The Honest Ulsterman, 46-47 (November 1974-February 1975), 52. 5 Anna Burns, Milkman (London: Faber and Faber, 2018). 6 See Deane, “Joyce and Stephen: The Provincial Intellectual,” Celtic Revivals: Essays in Modern Irish Literature (London: Faber and Faber, 1985), p. 75, and see James Joyce, “A Portrait of the Artist as a Young Man”: Text, Criticism, and Notes, ed. Chester G. Anderson (New York: Viking Press, 1968). 7 See Hannah Arendt, Lectures of Kant’s Political Philosophy, ed. Ronald Beiner (Chicago: Univ. of Chicago Press, 1992), p. 48. 8 See Wolfe Tone, Tone’s Career in Ireland to June 1795, vol. 1 of The Writings of Theobald Wolfe Tone, 1763-98, ed. T. W. Moody, R. B. McDowell, and C. J. Woods (Oxford: Clarendon Press, 1998), p. 174. Further references will be cited parenthetically in the text. 9 Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge: Essays on His Times, ed. David V. Erdman (London: Routledge Publishers, 1978), 2:411. 10 See “Heroic Styles: The Tradition of an Idea” (pp. 133-48). 11 Ernie O’Malley, On Another Man’s Wound (1936; Cork: Mercier Press, 2012), p. 182. 12 Elizabeth Bowen, The Last September (1927; London: Jonathan Cape, 1948), p. 203. Further references will be cited parenthetically in the text. 13 Bowen, “The Happy Autumn Fields,” The Collected Stories of Elizabeth Bowen (New York: Anchor Books, 1981), p. 684. 14 James Joyce, “Dubliners”: Text, Criticism, and Notes, ed. Robert Scholes and A. Walton Litz (New York: Viking Press, 1969), pp. 108, 42. 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The Paris Residences of James Joyce by Martina Nicolls (review)
2 See Muiris Ó Súilleabháin, Twenty Years A-Growing, trans. Moya Llewelyn Davies and George Thomson (1933; London: Oxford Univ. Press, 1953), p. 142. 3 Enzo Traverso, Left-Wing Melancholia: Marxism, History and Memory (New York: Columbia Univ. Press, 2016), pp. 24-25. See also Hans Blumenberg, Shipwreck with Spectator: Paradigm of Metaphor for Existence (Cambridge: MIT Press, 1997). 4 Seamus Deane, “An Irish Intelligentsia: Reflections on Its Desirability,” The Honest Ulsterman, 46-47 (November 1974-February 1975), 52. 5 Anna Burns, Milkman (London: Faber and Faber, 2018). 6 See Deane, “Joyce and Stephen: The Provincial Intellectual,” Celtic Revivals: Essays in Modern Irish Literature (London: Faber and Faber, 1985), p. 75, and see James Joyce, “A Portrait of the Artist as a Young Man”: Text, Criticism, and Notes, ed. Chester G. Anderson (New York: Viking Press, 1968). 7 See Hannah Arendt, Lectures of Kant’s Political Philosophy, ed. Ronald Beiner (Chicago: Univ. of Chicago Press, 1992), p. 48. 8 See Wolfe Tone, Tone’s Career in Ireland to June 1795, vol. 1 of The Writings of Theobald Wolfe Tone, 1763-98, ed. T. W. Moody, R. B. McDowell, and C. J. Woods (Oxford: Clarendon Press, 1998), p. 174. Further references will be cited parenthetically in the text. 9 Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge: Essays on His Times, ed. David V. Erdman (London: Routledge Publishers, 1978), 2:411. 10 See “Heroic Styles: The Tradition of an Idea” (pp. 133-48). 11 Ernie O’Malley, On Another Man’s Wound (1936; Cork: Mercier Press, 2012), p. 182. 12 Elizabeth Bowen, The Last September (1927; London: Jonathan Cape, 1948), p. 203. Further references will be cited parenthetically in the text. 13 Bowen, “The Happy Autumn Fields,” The Collected Stories of Elizabeth Bowen (New York: Anchor Books, 1981), p. 684. 14 James Joyce, “Dubliners”: Text, Criticism, and Notes, ed. Robert Scholes and A. Walton Litz (New York: Viking Press, 1969), pp. 108, 42. Further references will be cited parenthetically in the text by D and the page numbers.
期刊介绍:
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor"s "Raising the Wind" comments.