解读碎片

IF 0.4 Q1 Arts and Humanities
S. Ellens, Susan Villerot, Don Adzigian
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引用次数: 0

摘要

随着1825年伊利运河的开通,底特律成为一个新兴的城市和工业中心。在19世纪早期到中期,私人住宅、旅馆、制造商和零售商店密集地分布在底特律河畔。1973年至1974年,在九个街区内的文艺复兴中心建设期间,这个海滨社区的19,000多件文物被追回。这个系列的陶瓷讲述了一个丰富的故事,在底特律转变为大都市的过程中,来自不同社会阶层和种族的人们生活在一起。这项研究提出了一个比较分析陶瓷组合从五个特征在这个社区的一部分。最小容器数量(MNV)计数有助于我们了解陶瓷使用的趋势,并提供与不同社区中其他消费模式和场所功能的现成比较。结果允许对早期底特律城市陶瓷市场的范围和意义进行更广泛的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interpreting the Sherds
Following the opening of the Erie Canal in 1825, Detroit became an emerging urban and industrial center. In the early through mid-nineteenth century, private homes, hotels, manufacturers, and retail stores densely populated the Detroit riverfront. Over 19,000 artifacts from this waterfront neighborhood were recovered in 1973–1974, during construction of the Renaissance Center, within a nine cityblock area. The ceramics from this collection tell a rich story of people from various social classes and ethnicities having lived in close proximity during Detroit’s transformation into a metropolis. This research presents a comparative analysis of ceramic assemblages from five features within a portion of this neighborhood. A minimum number of vessels (MNV) count aids our understanding of trends in ceramics use and provides a ready comparison with other consumption patterns and functions of place within the diverse neighborhood. The results allow for a broader discussion of the scope and significance of the ceramics market in early urban Detroit.
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1.50
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