{"title":"博物馆作为抵抗平台:技术在冲突记忆、过渡时期司法和建设和平中的应用","authors":"Eduardo Briceño-Florez, Kathryn Eccles","doi":"10.1080/13500775.2022.2234196","DOIUrl":null,"url":null,"abstract":"Abstract This article asks what we can learn about the role of technology as a tool of resistance in a post-conflict society by examining a case study of a museum under construction, and in the shadow of a still- unresolved conflict. We show how the virtual staging of the Centro Nacional de Memoria Histórica in Colombia has been crucial to its success in challenging more recent political events and in crafting national memory narratives during a period of fragile peacebuilding. We analyse a series of technologically mediated provocations and interventions mobilised by the Centro Nacional de Memoria Histórica in order to show how digital tools and media enabled the museum to commence its storytelling at a time of ongoing tension and dissensus. We argue that despite, or perhaps because of, the limitations of digital technologies in a predominantly rural country, these have proven a key tool in building a historical narrative around the Colombian conflict and in managing the tensions inherent in a fragile peacebuilding process. In this case study, we draw parallels between transitional justice initiatives and ongoing decolonial activities in museums, in order to reflect on the ways in which the use of technology might disrupt hegemonic narratives and traditional mnemonic practices and hierarchies.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"74 1","pages":"82 - 93"},"PeriodicalIF":0.4000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Museums as Platforms of Resistance: The Use of Technology in Conflict Memory, Transitional Justice and Peacebuilding\",\"authors\":\"Eduardo Briceño-Florez, Kathryn Eccles\",\"doi\":\"10.1080/13500775.2022.2234196\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article asks what we can learn about the role of technology as a tool of resistance in a post-conflict society by examining a case study of a museum under construction, and in the shadow of a still- unresolved conflict. We show how the virtual staging of the Centro Nacional de Memoria Histórica in Colombia has been crucial to its success in challenging more recent political events and in crafting national memory narratives during a period of fragile peacebuilding. We analyse a series of technologically mediated provocations and interventions mobilised by the Centro Nacional de Memoria Histórica in order to show how digital tools and media enabled the museum to commence its storytelling at a time of ongoing tension and dissensus. We argue that despite, or perhaps because of, the limitations of digital technologies in a predominantly rural country, these have proven a key tool in building a historical narrative around the Colombian conflict and in managing the tensions inherent in a fragile peacebuilding process. In this case study, we draw parallels between transitional justice initiatives and ongoing decolonial activities in museums, in order to reflect on the ways in which the use of technology might disrupt hegemonic narratives and traditional mnemonic practices and hierarchies.\",\"PeriodicalId\":45701,\"journal\":{\"name\":\"MUSEUM INTERNATIONAL\",\"volume\":\"74 1\",\"pages\":\"82 - 93\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSEUM INTERNATIONAL\",\"FirstCategoryId\":\"1090\",\"ListUrlMain\":\"https://doi.org/10.1080/13500775.2022.2234196\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSEUM INTERNATIONAL","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/13500775.2022.2234196","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Museums as Platforms of Resistance: The Use of Technology in Conflict Memory, Transitional Justice and Peacebuilding
Abstract This article asks what we can learn about the role of technology as a tool of resistance in a post-conflict society by examining a case study of a museum under construction, and in the shadow of a still- unresolved conflict. We show how the virtual staging of the Centro Nacional de Memoria Histórica in Colombia has been crucial to its success in challenging more recent political events and in crafting national memory narratives during a period of fragile peacebuilding. We analyse a series of technologically mediated provocations and interventions mobilised by the Centro Nacional de Memoria Histórica in order to show how digital tools and media enabled the museum to commence its storytelling at a time of ongoing tension and dissensus. We argue that despite, or perhaps because of, the limitations of digital technologies in a predominantly rural country, these have proven a key tool in building a historical narrative around the Colombian conflict and in managing the tensions inherent in a fragile peacebuilding process. In this case study, we draw parallels between transitional justice initiatives and ongoing decolonial activities in museums, in order to reflect on the ways in which the use of technology might disrupt hegemonic narratives and traditional mnemonic practices and hierarchies.
期刊介绍:
In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.